The flaw has nothing to do with Brick’s narration. His pace is excellent, his voice is great, his delivery is spot on, and he’s well worth listening to. He does overdo it a bit here and there, but with material so fraught, that doesn’t surprise me.

The book follows Jimmy, Sean, and Dave–three childhood friends from Boston who grow apart and are then dragged back together by a murder case. As adults, Jimmy is a reformed criminal whose daughter is found murdered, Sean is a homicide detective investigating the murder, and Dave is a guy who never got over a terrible attack during his childhood. The plot circles around many the possible suspects for the murder; delves into Dave’s horrid experience and the community’s reaction to it; and generally pokes at what we think causes people to be criminals.

The story is engrossing. It’s full of flawed characters and misdirections. But I think the end is based on a complete cop-out, and that colors the way I see the rest of the book. I walk away from it feeling betrayed by Lehane and wishing there was an alternate ending that would fix the final chapters.

Short Review: Cormier’s final novel, published posthumously, read by the talented Scott Shina. It’s disturbing, and upsetting, and good despite its flaws.

Long Review: The title alone would have made me listen to this audiobook. I am an obsessive W.B. Yeats fan, and the title of Cormier’s final novel quotes a line from the masterful “The Circus Animal’s Desertion;” Yeats’ musings on the possible collapse of his talent and career. I’m also a fan of Cormier’s work, which I encountered as a lit student considering teaching English.

The novel opens in an interrogation room, as Trent takes a confession from a murderer. Trent, who is burning out on his job, is called upon to interrogate suspects in a child murder case. Then we encounter 12 year old Jason Dorrant. Jason has a hard time making friends, preferring the company of his 7 year old friend Alicia to that of most of the kids his age. When Alicia is found dead, local authorities focus on Jason as their prime suspect, assuming he killed the girl after spending the afternoon with her. Trent is called upon to drag a confession out Jason. Because it’s a high-profile case, Trent faces external pressure to make Jason confess, no matter what.

As I listened, I felt myself constantly questioning Jason’s competence. He seemed slow, but then perhaps he was just a modest kid, but maybe . . . I really wondered whether Jason had some sort of unnamed impairment, and that frustrated me. As the novel progressed, I was furious that no adults seemed the least bit concerned with Jason’s safety. I’m sure Cormier wanted us to feel that way, but I kept wondering if he went bit too far. Is our justice system really this flawed? Do we protect child suspects so poorly? Are interrogators so craven? I don’t know the answers to those questions, but they haunt me. That, really, is Cormier’s greatest strength–he makes us question our justice system and the responsibilities adults have to children. But those moralistic threads can go too far. Cormier definitely liked to pound home lessons through his books, and in this instance I think the ending jumps to a conclusion I don’t think is realistic.

That said, I do like the book. Cormier had a great ability to get inside his characters’ minds, and he certainly does that here, with both Jason and Trent. Shina is a good, clear reader, and he makes himself comfortable in both Jason’s and Trent’s voice.

Author: Charlaine Harris
Reader: Johanna Parker

Short Review: Well read first installment of the Southern Vampire Mysteries series (better known now as the books that inspired HBO’s TrueBlood series). Sookie Stackhouse is a telepathic waitress in a world in which vampires have “come out of the coffin”, and her world is getting more dangerous with each passing the day.

Long Review: I first read Dead Until Dark on paper years ago. When the new HBO series TrueBlood came out, I watched. So this audio book was version 3 of this world for me. As is often the case when I have strong mental models of many of the characters, it took me a bit of settling in to adjust to Parker’s voice. The good news is that this book is told entirely from Sookie’s perspective, so a female voice with a southern accent really was the logical choice.

Dead Until Dark is a murder mystery set in the small southern town of Bon Temps, Louisiana. Sookie Stackhouse is a restaurant at a local bar. She also happens to be telepathic. As she moves into the world of vampires, her life gets more interesting – and more complicated. If you are looking for both romance and murder, this serves you both. In a lot of ways it is just shy of an old school gothic romance, but with Vampires and telepathy mixed in.

One of the things I love about all of Charlaine Harris’s books is that she includes the everyday as part of her story. Her protagonists actually clean their homes and have to go by the library to get books. Harris weaves her story through the juxtaposition of these regular rhythms with the suspense associated with a murderer on the loose and the mysteriousness of the supernatural.

I am no expert on southern accents – so don’t hate me if your more sensitive ear finds fault in Parker’s rendition. I really enjoyed this audio book. The reader has enough variation in her voices for the various characters to make it easy to keep track of dialog. She also has a lovely default narrator’s voice that rings true for Sookie’s inner dialog.

If you are a TrueBlood fan, I think you can’t go wrong with giving a listen to the story that started it all. Yes, there are some deviations between the HBO series and this book – but that is often the case with books brought to screen.

Sample audio available.

Author: Carl Hiaasen

Reader: Stephen Hoye

Short Review: An engaging, funny, environmental crime novel set in the Florida Everglades. Hiaasen is a gem, and Hoye is good but doesn’t shine quite as brightly.

Long Review: As the book opens, Hiaasen has us witness an attempted murder at sea. The beautiful young Joey Perrone is thrown overboard by her husband Chaz. In the water, Joey reminisces over just how useless her murdering husband is as she struggles to stay alive. Retired cop Mick Stranahan rescues Joey the next morning, and hilarity ensues. Hiaasen draws a number of memorable likeable (or dislikeable) characters and sketches some extras to fill out the plot. Chaz is truly distasteful; Joey, Mick, and Karl Rolvaag are truly likable.

I won’t reveal any more about the plot. Hiaasen’s books are as enjoyable as they are because he plays with plot and language so effectively, and I’d hate to diminish any of that fun for a reader. Suffice it to say that Hiaasen keeps it fun and maintains quick pacing throughout the story.

I always hesitate to criticize audiobook narrators–it’s a hard job, and one I don’t have any direct experience with. But I do criticize, because I know that a reader whose work puts me off will put me off of an audiobook entirely. There are readers I cannot bear to listen to and readers I absolutely love, and the differences in their styles aren’t always noticeable to other listeners. In this instance, I found Hoye’s narration too affected at the beginning of the book. Thankfully, his reading grew on me as he relaxed into the role, and by the end, I was comfortable with his style. Skipping back to the beginning to work on this review reawoke my misgivings, though, so it seemed worth mentioning.

 Author: Neil Gaiman

 Reader: Neil Gaiman

 Short Review: Neil Gaiman reads his Newbery Medal winning book beautifully. His nod to Kipling’s The Jungle Book is just scary enough, intriguing, inventive, well-written, enchanting . . . it’s downright wonderful. I loved Bod, Silas, Scarlett, Liza, Miss Lupescu, and the rest of the graveyard’s denizens and rooted for them throughout the story. I miss them. I’ll return to this book again and recommend it to adults and kids.

Long Review: I’m a fan of Gaiman’s, and I am always intrigued by critically-acclaimed young adult fantasy, so I had to listen to this book. I was hopeful, but also worried. Some of the best books I’ve ever read were those I read when I was 10 or 12. I return to those books and keep tabs on books written for older kids, hoping to find more books to cherish and to foist on my growing nieces and nephews. But many things we’re supposed to love just fall flat for me. I’m not that impressed by some of the most beloved YA books, and some of the ones I did love then show me all of their holes when I pick them up now. This one, however, makes the good list. It’s rich enough for adults, appropriate for older kids, and enchanting for both.

Firstly, Gaiman is good at holding back. So many authors hand you all of the keys right at the beginning of the journey, and then you don’t have much to puzzle through and have less reason to keep going. Gaiman fights the urge to make sure he has told us everything there is to tell, so we keep reading, trying to line up our questions with possible answers, paying close attention to every little clue, wondering whether a character will return or a path will reappear. He refers to fascinating historical events and invents wondrous rituals and characters and communities, but he doesn’t give you so much information that any become boring. Neither does he condescend to his readers. I hate it when writers assume that kids can’t handle any frightening truths about life and death. In fact, kids see as much if not more terror and sadness as adults, and most of them don’t like being coddled. Gaiman doesn’t condescend to his readers or to the children who feature in his books.

Gaiman also happens to write strong female characters well. I wish I didn’t need to congratulate authors for doing that, but it still isn’t a given. Gaiman is a father to two daughters as well as the son whose childhood visits to a graveyard inspired this book. I think his relationship with his girls and the women in his life help him write girls and women well. That ability is particularly important for children’s and YA writers because so many boys are still hesitant to read books with female protagonists. Here, a boy is at the center of the story, but he’s surrounded by smart, heroic, strong, loving women and he cares for and respects them as much as he does Silas. It warms the cockles of my heart, that does.

Gaiman’s mythos is rooted firmly in the old greats. We see glimpses of well-researched historical fact, notice a figure from Grimm here and and an allusion to the Odyssey there. But from those roots, he takes us in very interesting directions. I love how he recasts traditional villains in new ways, making us wonder how evil some of the things we’ve had nightmares about really are. He takes the trope of fractured fairy tales a step further than many of his contemporaries. Gaiman doesn’t bother to argue with Grimm about who really understands monsters—he just plain rewrites the story in his way. It works.

I am impressed by Gaiman’s reading. I thought he did a great job with Fragile Things, and, if anything, he has gotten better. Gaiman has a nice voice, a good sense of character separation, paces himself well, and uses clear diction even when he is reading in different, heavier accents.

My only complaint is that a sequel isn’t available yet. I want to see more from this world, and I hope to see it soon.

Author: Tana French

Reader: Heather O’Neill

Short Review: Tana French’s strong second novel read beautifully by Heather O’Neill. In this sequel to In the Woods, we follow Cassie Maddox in a strange undercover murder investigation. Cassie gets back on her feet and then gets knocked right back off balance imitating her deceased doppelganger while looking for a killer, a motive, a weapon, and a lot of answers.

Long Review: In a strange series of events, Detective Maddox is called in to the murder investigation of someone who has stolen the identity of Cassie’s undercover persona, Lexie Madison. Sliding into her double’s life, Cassie has to find the actual identity of her doppelganger and who killed the fake Lexie, all the while trying to pretend to be Lexie, keep her love-life and career afloat, and recover from Operation Vestal.

I won’t say more about the plot. I will say that Heather O’Neill, who I’m not otherwise familiar with, did a fantastic job as a reader. She has a good Dublin accent, does a decent job with a Northern Irish accent, and, thankfully, can sing. Singing matters in this book because one of the major characters sings in several scenes, and I’m very glad not to be subjected to something hard to listen to. O’Neill has real skill as a reader, and I look forward to listening to more audio books she narrates.

I liked In the Woods but felt like it had a couple of flaws. French’s second novel is much improved. I prefer Cassie to Rob, the protagonist of the first novel, so I’m glad the author changed focus for this novel. Cassie was a major character in the previous book, and I was forever wishing French would drop Rob and switch to Cassie in that novel, since Rob clearly wasn’t thinking straight through most of the story. Cassie is a more reliable narrator, and also generally a more attractive character. She’s the kind of detective I think I’d want on my side, were I ever unfortunate enough to need a detective on my side. She recognizes her mistakes as she makes them, tries to keep the victim in mind as well as the killer, and is just generally intriguing and bright. The rest of French’s characters are likable and interesting as well. In many mysteries, the plot trumps the characters and once you’ve figured out “who done it” it’s hard to maintain interest in a cast of cardboard cut-outs. Thankfully, I was still interested in the fate of these people long after I’d puzzled out where French was going in the mystery.

Author: Michael Chabon
Reader: Peter Riegert

Extra features: The audiobook includes an interview with Michael Chabon about his inspiration for the book, his favorite books and genres, and his writing process.

Short Review: Chabon’s Hugo and Nebula award-winning alternate history of a world without Israel but with a temporary Jewish homeland in Sitka, Alaska. Hard-boiled detective Meyer Landsman investigates the murder of a junkie chess-player with his partner and cousin Berko Shemets, a half-Tlingit, half-Jewish cop who is a good father, a good Jew, and a good partner trying to save Landsman from himself. As the case progresses, more and more connections to organized crime, shady US government machinations, separatist Orthodox communities, and zealotry reveal themselves. Riegert is an ideal reader, comfortable with accents, Yiddish, noir, and sadness.

Long Review: I love this book. I read it on paper first, and was anxious to hear how well Reigert would handle Landsman’s voice. He does a masterful job. The book is written in the third person, but Landsman is on just about every page, so we hear his speech over and over. Reigert is careful to give Lansman, Berko Shemetz, and the other major characters distinct voices and rhythms, and he does a very good job of it. Like all of the best audiobook readers I’ve heard, Riegert balances acting with diction; maintaining a good rhythm and drawing a complete character while also keeping his accented speech easy to understand.

The novel is set in Sitka, Alaska in an alternate history. In the world of the novel, Israel fell to Arab attack in 1948, and the US agreed to make a temporary semi-autonomous federal district in Sitka for Jewish refugees. Sitka’s term of independence is ending, and all of the Jewish refugees there must prepare to leave for new homes elsewhere. As the local police are wrapping up their case files to hand over to the Americans, a junkie is murdered in the hotel where Landsman lives and Landsman takes the case. He should file the case away as quickly as possible but can’t let it go. The deeper Landsman investigates the victim and his connections, the more entangled he becomes.

Chabon writes wonderful characters, in this and all of his novels. Landsman, his ex-wife and boss Bina, Berko Shemetz, and the rest of the characters in the novel are engaging and deep and fascinating. You root for Landsman, but you also want to strangle him. Riegert’s narration intensifies that connection to Landsman and the rest. I found myself worrying about them all while listening to the novel, even though I already knew what was coming next.

Chabon does amazing things with language and speech in this novel. I’m no expert on Yiddish, of course, but I love the way Chabon intertwines Yiddish with noir phrasing and settings. It flips the whole hard-boiled detective genre–in a good way. I doubt there will ever be a sequel, but I would absolutely love the chance to follow Landsman and Shemetz on another case.

All in all, this is a fascinating, entertaining, beautifulky-read audiobook and one I know I’ll return to.

Short Review: This fun, funny, and often thoughtful story follows Sam Vimes as he investigates the murder of dwarven leader Grag Hamcrusher. Vimes is a father and husband, an unwilling member of the nobility, Commander of the watch, and a good old copper. He is pressured into hiring the first Vampire on the watch and has to manage religious and racial tensions between humans, vampires, werewolves, igors, dwarfs, and trolls while simultaneously solving a murder and preventing the outbreak of a troll v. dwarf war. The book is read by the wonderful Stephen Briggs, a regular reader for Pratchett’s books and one of my absolute favorite audiobook narrators.

Long Review: Briggs is a wonderful reader. Let’s start with that. I’ve listened to a number of Pratchett books, all read by Briggs, and the man is a wonder. He is comfortable working in many different accents, differentiates the characters clearly without losing rhythm or overdoing it, and reads with a lot of humor but also real tenderness when necessary. He’s a wonderful reader. The concept of anyone else reading Pratchett’s work makes me itch.

Thud! parodies The Da Vinci Code, a book I can’t stomach. I tried to read it, gave up within a few pages of the front cover, and seethe when I’m reminded of its mere existence. So, I love things that make fun of it. Love them. Pratchett, of course, is funny and smart and kind, so his parody is sweet and sharp without being overly cruel to Dan Brown. The book also satirizes ongoing religious and racial tensions in the Middle East and the West, maintaining a light tone while also pointing out the ridiculous amount of stupidity that abounds in our modern world.

Pratchett’s kindness is one of the best things about his humor. Throughout this and his other discworld novels, he creates deeply flawed and often stupid characters–Nobby Nobbs comes to mind–and then he deals with them kindly. We’re not to hate or even pity Nobbs and his stupidity and kleptomania, but to see him as some sort of object lesson.

All in all, I think this is one of Pratchett’s best. I love that he entertains us while encouraging us to be open minded and kind. I love that he encourages the reader to play board games, read to children, and treat people with respect, but wraps that encouragement up in slap-stick, puns, word-play, and general silliness. Thud! is funny and smart and well worth a listen.

Author: Jim Butcher
Reader: James Marsters

Short Review: Down on his luck detective Harry Dresden also happens to be a real, live wizard. This introduction to Harry’s world includes magic, potions, a talking skull named Bob, demons – and of course a murder mystery. James Marsters is brilliant.

Long Review: I am going to start with the reader on this one. James Marsters does an amazing job. I will admit that I was drawn to this audio book because of the reader. I am a big fan of the Buffy the Vampire Slayer universe in general, and of the character Spike that James Marsters plays in specific. The funny thing about all this is that Marsters doesn’t actually have the British accent that he uses for Spike. The first 10 minutes of Storm Front was me getting used to Marsters’ actual voice (or at least the voice he uses for reading this book). After I adjusted to his voice, I loved it. This is one of those cases in which if I read the books on paper, I hear Marsters’ voice in my head. When I watched The Dresden Files, I *still* heard Marsters’ voice trying to overlay the voices coming from the screen.

The story is a treat. This is the first installment in what turned into a solid series. Our protagonist is Harry Dresden, Wizard. He lives in modern day Chicago plying his trade – but this modern day has a lot hidden from the average citizen. There are many supernatural bad guys out and about – making trouble for the people and the police alike.

How to describe Harry? Imagine old school private investigator crossed with wizard with the weight of the world on his shoulders. Harry never has enough money – but always has someone relying on him for rescue. And technology hates him.

I don’t want to give away any of the plot, but I will give Jim Butcher one of my highest forms of praise: I love the people he created with this novel and the world in which he has placed them. If you like the supernatural, a good mystery and characters to root for – definitely check out Storm Front. If you are a Buffy/Angel fan – follow Marsters into this new rich world, you won’t regret it.

If you still need convincing, go download the first three chapters for free and see what you think.

 In the Woods

 Author: Tana French

 Reader: Steven Crossley

Short Review: This Edgar Award winning novel traces a murder in Ireland, following the detectives investigating the case and flashing back to an earlier, similar unsolved case. It is a good novel beautifully read by Crossley, but the novel itself annoys me in a few spots (which I won’t actually describe, because we try very hard to not throw spoilers about).

Long Review: This is French’s first novel, and it bodes well. Set in Dublin, the book follows detectives (Adam) Rob Ryan and Cassie Maddox as they investigate a puzzling murder case in the Dublin suburbs. A young girl is found dead on an archaeological site, and no motive or suspects present themselves. The case seems to echo one from Ryan’s childhood, though, and the connections between the two cases become obsessions for Ryan and Maddox.

I won’t say more about the plot of the book. I will say that Crossley is a very talented reader. The book is Rob’s first-person narrative, so Crossley plays Rob throughout. Though Rob is Irish, he was educated at a British boarding school, so has a posh English accent. Crossley has a wonderful voice and very good diction, but he doesn’t sound overly mannered or formal as he reads. Because the book is narrated by Rob, this is vital. First person narrators rarely sound like elocution professors, at least in my head. Also, Crossley generally does a good job with the Irish accents that crop up in the book, which makes a big difference to me.

Cassie really comes off as the protagonist, at least to me. She is at the center of French’s second book, The Likeness, and that alone makes me want to read it. Cassie is smart, funny, and strong, and really the sort of female character I wish would show up in every book and movie made from here on out.

The bits of the book that annoy me are part and parcel of the story, so I forgive the author. I think Ryan and Maddox are well-drawn characters. I just don’t always like Rob very much. Frankly, I want to throttle him. That’s really required by the book though, so I don’t hold it against French. I have read the book on paper as well as listened to the audiobook, and my reaction to the plot and to Ryan doesn’t really change from one format to the other.