The Ocean at the End of the Lane

Available from Audible.com

Author: Neil Gaiman

Reader: Neil Gaiman

Short Review: An excellent new dark fantasy for adults, read by the author.

Long Review: It’s probably obvious to any regular BooksForEars reader that Jeanne and I are fans of Gaiman’s work. I waited on pins and needles for this book’s release. When I learned that Gaiman would read the audio version I was particularly excited. I adore the professional readers who narrated American Gods and Anansi Boys, but there’s a special depth that a talented author can add when they read their own work. I have a bias in this direction–I’m a poet and storyteller, and if I had my druthers, I’d deliver all of my pieces directly from my mouth to my audience’s ears.

This is Gaiman’s first novel aimed at adults for several years. The story opens as the speaker returns to his childhood home for a funeral and recounts a series of events that occurred in his childhood. As ever, Gaiman is focused on mythology, and the speaker which he explores through the speaker’s interactions with his neighbors, the Hempstocks. While most of Gaiman’s stories tend towards the dark, this novel is awash in threats to the speaker and his family, and the tone is less optimistic than it tends to be in his books for children.

Gaiman is an excellent reader, as ever. His pacing and diction are lovely, and he has a unique understanding of the tone of the novel. Because the speaker in the novel is never named, Gaiman’s narration makes it feel as if the story is auto-biographical. That adds a certain frisson for a fan like me. I look forward to reading it again, on paper and as an audiobook.

The Big Sleep

Author: Raymond Chandler
Reader: Full Cast: Toby Stephens, Kelly Burke, Barbara Barnes, Madeleine Potter, Leah Brotherhood, Sam Dale, Sean Baker, Iain Batchelor, Henry Devas, Jude Akuwudike

Available from Audible.com

Short Review: A fun, dramatized read of Chandler’s hard-boiled classic.

Long Review: I haven’t listened to many audiobooks that featured a full cast, but I’m a big fan of film noir and hard-boiled detective stories, so this seemed like the perfect opportunity to explore the BBC’s Radio 4 series of dramatized classics. I adore Chandler’s style and had read the book on paper, so I knew the story itself would entertain me. I think most of Chandler’s books are worth reading a few times, and this is one of my favorite ones.

The story hangs on Philip Marlowe, and Toby Stephens’ Marlowe is pitch-perfect throughout. His voice is nice and deep and gravelly, and he knows how to sell the lines. The rest of the cast does a great job as well–the production team was clearly careful about casting and rehearsal–two things I wish were more standard parts of the audiobook production process.

The music and sound effects are good too. I expected to be put-off a bit by the level of orchestration and number of effects, but I found it enthralling. This is a short audiobook, so I didn’t have time to get tired of the bells and whistles–well–the bangs and engine noise. It didn’t bother me one bit.

I’ll probably stock up on the other titles in the series. I think they’ll make perfect road trip fare, and I have plenty of driving to do this summer.

Author: Tana French

Reader: Stephen Hogan

Short Review: The fourth book in French’s excellent Dublin Murder Squad series, read by the talented Stephen Hogan. Previous books in the series include In the Woods and The Likeness. They can be read out of order without spoiling the series.

Long Review: Each book in French’s series follows a different detective. Mick “Scorcher” Kennedy is lead detective in this novel, and he’s as tortured as his predecessors. He appeared in the third book in the series as a supporting character and seemed like a complete ass. Here, we get more of a sense of who he is and why. French loves to incorporate intricate psychological matter into her books, and she reaches a new high this time around. The case Kennedy works is centered in Broken Harbor, a broken down vacation community turned failed exurban development near Dublin. Kennedy’s family used to vacation there, and it holds a number of painful memories for him. As the case progresses, Kennedy also ends up caring for his mentally-ill sister Dinah. As their family history emerges, the setting and circumstances of Kennedy’s case seem particularly poignant.

Kennedy is investigating the murders of most of the Spain family–only the mother survives, and she is comatose when Kennedy gets the case. He’s training a new detective, Ritchie, and dispenses as much cop wisdom as he can think of as they work. The case itself is baffling, the department is a mess, as ever, and it seems like French made all of the knots too fast to untie for a while. I’ll say no more about the plot. I loved the book and the others in the series: In the Woods and The Likeness.

Hogan is a particularly good reader. He does a great job with a variety of different Irish accents, slipping from working class north Dublin to broad country to posh and back again. His pacing and diction are excellent. I’ll seek out other books he narrates.

Author: Erin Morgenstern
Reader: Jim Dale

Short Review: The Locus Award winning novel is an enthralling story of magic, love, and struggle beautifully read by Jim Dale.

Long Review: Two magicians who have been engaging in competitions for years decide to design a new tournament: one man’s daughter vs. the other man’s student. To provide an arena for their students’ competitions, they create the Night Circus, which travels the world without any advertised schedule and opens at dusk to allow the public to view the acts and tents the two magicians’ students develop.

Morgenstern’s writing is enchanting, and she fills her novel with a number of compelling, interesting characters. The story sprawls a bit, but I find the breadth of it very enjoyable, much as I did Jonathan Strange and Mr. Norrell. This book is shorter and more accessible, but both are rich, detailed, and beautifully realized.

Morgenstern gives us people to love and people to hate: The magicians Hector Bowen (aka Prospero the Entertainer) and Alexander (aka Mr. A.H.) are both selfish, heartless monsters. Their students, Marco and Celia, are talented and brilliant and lovable but believable flawed. Several of the fans and performers in the circus are worthy of a great deal of attention: the clockmaker Friedrick Herr Thiessen, the boy Bailey who sneaks in and befriends a young performer, and on and on. And the descriptions of the magical feats Celia and Marco create are gorgeous.

Jim Dale, as usual, is a fantastic reader. I would listen to him recite from a phone book. His diction is crisp, his accent is comfortable and interesting to listen to, his pacing is excellent, and he clearly enjoys the material. I forget when I listen to a passable audiobook reader how much a talented actor can improve the experience of listening to a book, and then I hear someone like Dale and my listening patterns sway back to the fantastic side of the spectrum.

When all is said and done, I’ve listened to this book twice, and I am likely to listen to it every year or two from here on out. It’s a beautiful combination of novel and reader. I adored it.

The Professor and the Madman

Author: Simon Winchester

Reader: Simon Winchester

Audiobook Extras: The Audible edition includes a great discussion between the author and the current editor of the OED, John Simpson.

Short Review: A fascinating story about two of the men who dedicated their lives to the creation of the Oxford English Dictionary: one a Scottish Philologist, and one an institutionalized American doctor.

Long Review: I had to read this book. My only disappointment is that I waited so long. I was particularly drawn to the book because of the way the subject matter touches on little things that are vital to me: lexicography and philology, Scotland, England, Virginia, and Washington, DC all twine through the book. It touches on most of the places I’ve lived and the center of my academic background.

The story tracks the intertwined lives of Professor James Murray, a Scottish autodidact turned academic who dedicated himself to the creation of the Oxford English Dictionary; and Dr. W. C. Minor, a physician and American Civil War veteran who voluntarily assisted in the compilation of the OED while incarcerated in a British asylum. Winchester waded through British and American records to track the lives of both men and explain their unique contributions to this cornerstone of English lexicography, and in so doing revealed a lot of interesting information about Victorian and Edwardian concepts of mental illness, the community spirit that fuels so much of the OED’s creation and maintenance, and the changing technologies and social views the OED’s editors witnessed during their great undertaking.

Winchester makes for a wonderful reader–his diction is lovely and his pacing is good throughout, and his accent is just right for this subject matter. I’m looking forward to listening to other books of his.

The book’s pacing is excellent as well, and at times it feels almost like a cozy mystery. I enjoyed listening to an English historian’s tangential views about the American Civil War–something that dominates the local history in my region, but which often seems to be viewed only through two lenses. As with most enjoyable histories, this book left me wanting to learn more about Minor and Murray, but also about Victorian asylums, the OED’s other contributors, London’s early police, and a dozen other topics that pop up throughout the course of the work.

Clementine

Author: Cherie Priest

Readers: Dina Pearlman and Victor Bevine

Short Review: This sequel to Boneshaker follows Captain Croggon Hainey as he tracks and attempts to recover his airship, The Free Crow, from its captors. It also introduces Maria Isabella Boyd, a former Confederate spy turned Pinkerton, on her first assignment. It’s good, but not quite as good as Boneshaker.

Long Review: I’m a huge fan of this series, and found Boneshaker absolutely enthralling. This sequel follows Hainey, one of the more interesting minor characters from the first novel, and introduces Boyd, an intriguing character based on a historical figure. It follows an interesting dangling thread from that first novel, but to do so, it has to leave leave Seattle. The Seattle of Boneshaker was so inventive and layered that I had a hard time following the author away from it.

All whining aside, this is a very good audiobook. Priest is an excellent writer, and her attention to detail and excellent knowledge of American history make these books ring true, even with rather fantastic “alternate” content to deal with. The book is expertly read by Pearlman and Bevine, taking turns in Boyd’s and Hainey’s sections, respectfully, much as Reading and Wheaton did for the two main characters in Boneshaker. The switching perspective keeps the action moving along at a good clip while also elucidating two very different people.

Moreover, Priest tackles complex, layered questions of social justice in her books without clobbering the reader over the head. I’m always thrown when people address the Civil War or other momentous transitions in history without considering vital threads such as human rights, equality, changes in social mores, and the like. In this series, Priest is delving into questions of women’s rights, race relations, immigration, states vs. federal rights, property rights, international meddling in civil wars, medical ethics . . . the social and ethical questions she raises are manifold, and it’s the weaving of those questions into the fast-paced drama that really makes these books sing. This isn’t just fantasy. It’s a history lesson blending with an ethics class as well, and all of it makes these books worth returning to.

Boneshaker

Author: Cherie Priest

Readers: Kate Reading and Wil Wheaton

Short Review: A steampunk adventure set in an alternate-history Seattle where the Civil War just won’t end, airships abound, mad scientists run amok, volcanoes make zombies, and intricate questions about liberty and rights continually rear their heads.

Long Review: For no good reason whatsoever, a paper copy of this book languished on my shelf for a few months before I finally broke down and bought the audio version. Initially, I’d been hesitant to listen to it because I was never a of Star Trek (I know, I know) so I didn’t have any particular connection to Will Wheaton. I also hesitate to get hooked on series that are still being written. I finally got over it and dove right in, listened to the whole series, and then listened to them again. I’m itching to start a third time, but figure I can wait for the next installment.

Will Wheaton does a great job narrating the sections of the book following Zeke, a runaway teen trying to prove that his father was a good man. Kate Reading reads the sections following Zeke’s mother Briar Wilkes, the daughter of Seattle’s late Sheriff and widow of a disgraced scientist and inventor. I adored both readers, but I particularly fell for Kate Reading’s voice. She strikes the perfect balance between Briar’s strength and the desperation that she struggles with as she searches for her son and tries to survive the nightmare that Seattle has become in the wake of her husband’s actions.

Priest is an excellent researcher, and this series really showcases her knowledge of 19th century American history. I’m often hesitant to read historical fiction or alternate histories because I find weak research so annoying, but there’s nothing to worry about with Priest’s books. She picks the perfect things to extend the Civil War in her story, and develops a creepy, fascinating plot to explain her changed Seattle.

Moreover, Priest develops excellent characters. Many series fizzle out after the first few books because the author only manages to build a few solid, interesting characters. With this book, Priest introduces a cast of fascinating people, all of whom I want to follow for book after book. The women she writes are particularly interesting, and Zeke reads true as a good but confused teen. Priest set the hook deep with Boneshaker, and I can’t wait to see where she’ll go with the rest of the series.

Reamde

Available from Audible.com

Author: Neal Stephenson
Reader: Malcolm Hillgartner

Short Review: A fantastic, well-read, fast-paced novel of hackers, criminals, anti-heroes, terrorists, and gamers.

Long Review: I adore Stephenson’s books, so I was at a loss when Anathem fell short for me. When a friend told me the day after Reamde was released that I was in for a treat, I immediately rushed home and bought a copy of the audiobook. And then I rescheduled as much as I could so I could listen to it constantly until the book was over. I binged on this book like a kid with a bag of halloween candy. I loved it like I loved Snow Crash and The Diamond Age: Or, a Young Lady’s Illustrated Primer, and I love them almost as much as I love my dog.

This novel opens at the Forthrast family reunion, where we meet our protagonists. Richard owns a company that created T-Rain, a popular MMORPG, and he offers his adopted niece Zula a job working on their new game. And then all hell breaks loose. The Russian mob, hackers, terrorists, gamers, bikers, spies, special forces . . . . think of something exciting or intriguing, and chances are Stephenson found a way to incorporate it into the story with elegance and insight. Stephenson’s talent lies in his ability to pack a great deal of information into a plot that keeps moving, while also writing interesting, surprising characters. He favors intelligent, layered characters and generally makes sure at least a couple of brilliant, strong women are mainstays in his cast. I walked away from this book wanting to know these people and ask them about their experiences.

Hillgartner does a fantastic job reading the book. His regular speaking voice seems fitting for Richard, and the accents he uses for the other characters ring true. His pacing is great, his diction is clear and undistracting, and he manages to keep this very long book engaging and entertaining throughout. I plan to seek out other books he narrated for future diversions.

Author: Ali Shaw

Reader: Heather O’Neill

Short Review: An enchanting mythic fantasy about a woman searching for a cure or explanation for the mysterious ailment that is causing her feet to turn to glass, read beautifully by one of my favorite readers.

Long Review: Ali Shaw was working at the famous Bodleian library at Oxford when he wrote this book. I can’t help but think that that storied collection crept into his first novel. The book is set on the fictional St. Haudaâ€s Land, a remote northern archipelago peopled by unusual people and animals. Ida Maclaird returns to the island seeking a strange man she met there on a previous vacation and an explanation for her unique ailment. She meets and befriends Midas Crook, an awkward young photographer, and asks his assistance in her quest. As the story progresses, Ida attempts to help Midas come to terms with his family and his feelings.

Heather O’Neill is a fantastic reader, and I think her tone and pacing were just right for this book. I was excited to get to listen to her narration again, and enjoyed this book ever more than I did The Likeness.

Shaw’s book is so entrancing because of how he plays with mythic themes. You can tell he’s fully-versed in myth and fairy-tales, but this is no retelling of a classic story. He draws from that imagery and makes gorgeous, subtle allusions, but he creates something wholly new for us. The fantastic animals he invents for the story are particularly interesting, and help establish the strange, magical locale where such unusual things can happen. This isn’t fantasy in the sword and sorcery vein. St. Hauda’s land feels real and modern, though uncomfortably different. And his characters-his characters! I want to know Ida and Midas and Henry Fuwa. I feel as if I could meet them on the train.

I look forward to Shaw’s next book, and I’m crossing my fingers that O’Neill will read the audio version.

A Game of Thrones: A Song of Ice and Fire: Book One

Available from Audible.com

Author: George R. R. Martin

Reader: Roy Dotrice

Short Review: Martin’s Locus-Award winning novel, expertly read by Roy Dotrice, proves an engrossing opening to a long, unfinished series.

Long Review: I was initially hesitant to pick up this series because I had heard so many friends complain that Martin was slow to release subsequent novels in the series. I didn’t want to wind up invested in characters who might or might not have resolutions in future releases. HBO’s sneaky free preview weekend forced my hand, because seeing the opening episode of their adaptation of the story made me want to read the books before watching the TV show.

Martin’s books are long and intricate, and follow dozens of characters. I generally enjoy fantasy audiobooks because the novels themselves tend towards the narrative, mythic style I think is best read aloud. This series is a great example of that. I was immediately entranced by Dotrice’s narration. He developed different accents and styles for the varied characters, and his acting talent shines through in his reading. In many sections of the book where Martin’s wordiness might have annoyed me, Dotrice’s reading kept me interested. Were it not for Dotrice, I may not be so inclined to finish the series. Instead, I’m crossing my fingers that Martin writes fast enough to allow Dotrice to finish narrating all of the books before health problems make that impossible. I want Dotrice to read the paper to me. I love to listen to him.

Martin’s writing does suffer at times from overuse of certain tropes or words, but in general he knows how to write an engrossing, interesting tale. He makes sure none of his characters are true heroes or true villains, and he’s not shy about killing off lead characters. The story is largely medieval-styled fantasy, but Martin injects mysticism, the undead, magic, and some elements of classic mystery novels to refresh the genre. One of the most prevalent themes in the books is the odd progress of seasons in Martin’s world. Rather than living on a planet with four seasons in a year, Martin’s characters inhabit a world where seasons can last many years. The story opens as signs of waning summer are appearing, and the phrase “Winter is coming” becomes a regular refrain. As the novel progresses, many factions fight for the throne of Westeros, and the third-person narrative switches from one character’s experiences to another.

There is no shortage of specifics about the plot available online, so I’ll leave it to you to seek out as many or as few spoilers as you like. Just know that the corpses pile up and several of the characters are truly layered and intriguing. Martin might have benefited from more editing, but Dotrice’s reading makes the book is a great listen.

Available from Audible.com

Author: Daniel Woodrell

Reader: Emma Galvin

Short Review: A stark, beautifully written and expertly read novel about an overburdened girl in dire straits.

Long Review: Set in the Ozarks, Winter’s Bone follows Ree Dolly as she tries to locate her missing father, care for her broken family, and save their home. Ree, 16, is the oldest of three children, and her life seems to be made entirely of danger, neglect, and undue responsibility. The Dollys are part of a larger near-tribal community of outlaws bound by strict rules of secrecy, respect, and gender roles. Ree’s one dream is to join the Army so she can escape, but she’s too young to leave, and her father’s disappearance leaves her family with only her to lead them.

Emma Galvin does an amazing job reading the book. As I’ve mentioned in the past, I find it extremely annoying when readers voice teenage girls with breathy, high-pitched, weak voices. The book follows Ree closely, so we have largely her voice throughout the audio book. Galvin’s reading is spot on. Ree sounds strong, and smart, and desperate–exactly as she should. During the descriptive sections, Galvin’s pacing and diction are excellent as she gives voice to Woodrell’s sparse, dense prose. She is thoroughly believable and restrained. As the book progresses, we learn that Ree’s relationship with Gail, her best friend, has grown beyond the bounds of friendship. Galvin’s reading remains true, without any veering towards stereotypical butchness. She doesn’t ask or answer any more questions than the author did.

Woodrell’s style is often referred to as “country noir.” I find that a lot of books set in the South or Appalachia are down-right condescending and inaccurate. I’m certainly no expert on the Ozarks, but I never got the sense that Woodrell used this imagined community for target practice. He shows their faults, but he shows strength as well. He stares right at their poverty, drug problems, feuds, and failures and relates those things without pity or judgment. His characters are engrossing and layered, and Woodrell never gives us too much. Often, I feel like he’s leaving us wanting for information on purpose, knowing it will keep us entranced. Because of my own academic interests, I was particularly intrigued to know more about the roots of Ree’s strange community–are they descended from Travellers, are they the remnants of a charismatic cult? We never know for sure, which is both annoying and brilliant.

As an aside, after listening to the book, I also watched the film adaptation of the story. It’s been very well received by critics, and it has some real strengths. But, as is almost always the case with films made from movies I love, it was lacking. The filmmakers omitted Ree’s sexuality entirely–as people are wont to do with stories like this. A son turns to a daughter, the mysterious origins of Ree’s community are erased–but overall it’s a very good movie.

Wild Decembers

Available from Audible.com

Author: Edna O’Brien

Reader: Suzanne Bertish

Short Review: A beautiful book, poorly served by bad audio quality and frequent mispronunciations.

Long Review: I’m a huge fan of O’Brien’s work, so I was intrigued to find her fantastic novel on Audible’s site. I was warned of the poor audio quality by other reviewers, but I decided to trudge on and see how I reacted to O’Brien’s rich, poetic prose read aloud.

The audiobook was clearly dubbed from CD to a downloadable file. Some remnants of the CDs remain, such as a direction to change CDs. That I could easily ignore. The hiss, flattened tone, and slubs I can’t. I know enough from hanging out in recording studios to know that someone could have corrected most of the audio problems in this version.

Even more irksome are the repeated mispronunciations of Irish words. I know that Irish is a difficult language to read and pronounce. Oh, how I know. But that’s all the more reason that the reader and editor should have done their homework and made sure to get those words right. Cú Chulainn is as vital to Irish myth as is Odysseus to Greek, and his name just isn’t that hard to say correctly. I could say the same thing of dozens of other words butchered in this audiobook.

Apart from the mispronunciations, Bertish is actually a very good reader, but I found them disconcerting and distracting. I also wondered why an English actress was chose to read such an Irish book. None of the characters who she voices would have her posh accent or diction.

The novel itself is masterful. O’Brien is one of the most important contemporary Irish novelists. Her prose is dense and poetic and beautiful. This exquisite book is set in a small rural town in the West, and it follows the progress of star-crossed lovers and neighbors whose generations’ long feud rattles an entire community. It explores women’s rights and station in 1970s Ireland, changing mores, farming, property rights, legal vagaries, and a hundred other things. I will read it again and again, but I’ll stick to the voices in my own mind henceforth.