Author: Isabel Miller
Readers: Janis Ian and Jean Smart

Also available directly from Janis Ian’s webstore.

GRAMMY Award nominated for “Best Spoken Word”

Short Review: Touching lesbian love story, set in early 1800s and read beautifully. The two readers each read the portion of the story told from a single point of view. It really works.

Long Review: Originally self-published in 1969, this love story is set in the early 1800s in New England. It tells the story of the love found by Patience White (maiden aunt and painter) and Sarah Dowling (farmer’s daughter, cast in life as farmer’s son for practicality) in a world that mostly believed such a thing was neither possible nor permissible. The story alternates points of views between Patience and Sarah, to great effect. They are such different people, but you can see where their love comes from. The contrast of their backgrounds, and their expectations for their lives, make the story all the more compelling.

I don’t want to spoil the story for you, but it isn’t hard to assume from the premise that there will be plenty of challenges laid in their paths. It is a story of what it means to both fall in love and *be* in love. We are taken into the hearts of Patience and Sarah, but at the same time given a taste of what their worlds were like. What does it mean to fight for love? When is the fight too much — what is worth sacrifice and what is not?

There are so many other things I loved about this book. I loved seeing painting and color through Patience’s eyes. I loved Sarah’s practicality and straight forwardness. The supporting characters are varied and interesting, the path of the story less predictable then you might expect. The author created a vivid world that I really enjoyed visiting.

Both readers do an amazing job, each giving us a glimpse into their respective character’s mind – as well as providing easy to distinguish voices for the other members of the story. The two SoundCloud clips below give you a small taste of each of the readers and a toe in the water of the story they tell. They both made it so easy to get lost in the story. This is definitely a “find more excuses to keep listening” audio book.

Available from Audible.com

Short Review: Elizabeth Wein continues the heart wrenching legacy begun by Codename: Verity. This is the story of Rose Justice, an American ATA pilot, who gets captured in by Nazis and is thrown into Ravensbrück concentration camp. What follows is a brutal story of trying to find hope in a hopeless situation. Wein delivers a book that will leave you emotionally spent, read by Sasha Pick.

Long Review: Rose Justice is an American ATA pilot whoâ€s come to England to help with the war effort. While transporting an Allied plane from Paris to English soil, Rose is forced to land and is promptly captured by Nazis and taken to the Ravensbrück concentration camp. Wein details the daily humiliations of concentration camp in a way that feels viscerally real.

Although the book is set in a series with Codename: Verity, there is very little that remains from the first book in the series. Rose Under Fire focuses on the survival and search for hope of a single individual who, unlike the protagonists of Verity, is American. There are planes and heartbreak for the reader but that’s pretty much where the similarities end. Rose Under Fire is a much more brutal and a much darker book than Verity ever was. This is not necessarily a bad thing as such but it’s important for the reader to know that this is an emotionally draining book, which is not entirely unexpected from Wein as an author.

As it was for Codename: Verity, Rose Under Fire is extensively researched and while fictional, no doubt shows a composite of many real lives. The atrocities described in the book really happened in Ravensbrück and the visceral details Wein provides only serve to make it more real. She does not pull any punches.

Sasha Pick does a good job of setting the scene with her voice acting and distinguishes characters easily. She conveys the emotions in the book in an understated way that manages to not take away from the listener. However, some of the voices she lends to the characters start to get a little tiring with the sheer brutality of the book.

I would definitely recommend this book to anyone who loved Codename: Verity and anyone who is a fan of historical fiction, especially books set in the second World War. It gives a voice to rarely heard viewpoints. However I don’t think anyone should go into this unprepared. The book will leave you chewed up and spit out. Allow me to recommend spending some time on Emergency Kitten! afterward.

Author: Erin Morgenstern
Reader: Jim Dale

Short Review: The Locus Award winning novel is an enthralling story of magic, love, and struggle beautifully read by Jim Dale.

Long Review: Two magicians who have been engaging in competitions for years decide to design a new tournament: one man’s daughter vs. the other man’s student. To provide an arena for their students’ competitions, they create the Night Circus, which travels the world without any advertised schedule and opens at dusk to allow the public to view the acts and tents the two magicians’ students develop.

Morgenstern’s writing is enchanting, and she fills her novel with a number of compelling, interesting characters. The story sprawls a bit, but I find the breadth of it very enjoyable, much as I did Jonathan Strange and Mr. Norrell. This book is shorter and more accessible, but both are rich, detailed, and beautifully realized.

Morgenstern gives us people to love and people to hate: The magicians Hector Bowen (aka Prospero the Entertainer) and Alexander (aka Mr. A.H.) are both selfish, heartless monsters. Their students, Marco and Celia, are talented and brilliant and lovable but believable flawed. Several of the fans and performers in the circus are worthy of a great deal of attention: the clockmaker Friedrick Herr Thiessen, the boy Bailey who sneaks in and befriends a young performer, and on and on. And the descriptions of the magical feats Celia and Marco create are gorgeous.

Jim Dale, as usual, is a fantastic reader. I would listen to him recite from a phone book. His diction is crisp, his accent is comfortable and interesting to listen to, his pacing is excellent, and he clearly enjoys the material. I forget when I listen to a passable audiobook reader how much a talented actor can improve the experience of listening to a book, and then I hear someone like Dale and my listening patterns sway back to the fantastic side of the spectrum.

When all is said and done, I’ve listened to this book twice, and I am likely to listen to it every year or two from here on out. It’s a beautiful combination of novel and reader. I adored it.

Clementine

Author: Cherie Priest

Readers: Dina Pearlman and Victor Bevine

Short Review: This sequel to Boneshaker follows Captain Croggon Hainey as he tracks and attempts to recover his airship, The Free Crow, from its captors. It also introduces Maria Isabella Boyd, a former Confederate spy turned Pinkerton, on her first assignment. It’s good, but not quite as good as Boneshaker.

Long Review: I’m a huge fan of this series, and found Boneshaker absolutely enthralling. This sequel follows Hainey, one of the more interesting minor characters from the first novel, and introduces Boyd, an intriguing character based on a historical figure. It follows an interesting dangling thread from that first novel, but to do so, it has to leave leave Seattle. The Seattle of Boneshaker was so inventive and layered that I had a hard time following the author away from it.

All whining aside, this is a very good audiobook. Priest is an excellent writer, and her attention to detail and excellent knowledge of American history make these books ring true, even with rather fantastic “alternate” content to deal with. The book is expertly read by Pearlman and Bevine, taking turns in Boyd’s and Hainey’s sections, respectfully, much as Reading and Wheaton did for the two main characters in Boneshaker. The switching perspective keeps the action moving along at a good clip while also elucidating two very different people.

Moreover, Priest tackles complex, layered questions of social justice in her books without clobbering the reader over the head. I’m always thrown when people address the Civil War or other momentous transitions in history without considering vital threads such as human rights, equality, changes in social mores, and the like. In this series, Priest is delving into questions of women’s rights, race relations, immigration, states vs. federal rights, property rights, international meddling in civil wars, medical ethics . . . the social and ethical questions she raises are manifold, and it’s the weaving of those questions into the fast-paced drama that really makes these books sing. This isn’t just fantasy. It’s a history lesson blending with an ethics class as well, and all of it makes these books worth returning to.

Boneshaker

Author: Cherie Priest

Readers: Kate Reading and Wil Wheaton

Short Review: A steampunk adventure set in an alternate-history Seattle where the Civil War just won’t end, airships abound, mad scientists run amok, volcanoes make zombies, and intricate questions about liberty and rights continually rear their heads.

Long Review: For no good reason whatsoever, a paper copy of this book languished on my shelf for a few months before I finally broke down and bought the audio version. Initially, I’d been hesitant to listen to it because I was never a of Star Trek (I know, I know) so I didn’t have any particular connection to Will Wheaton. I also hesitate to get hooked on series that are still being written. I finally got over it and dove right in, listened to the whole series, and then listened to them again. I’m itching to start a third time, but figure I can wait for the next installment.

Will Wheaton does a great job narrating the sections of the book following Zeke, a runaway teen trying to prove that his father was a good man. Kate Reading reads the sections following Zeke’s mother Briar Wilkes, the daughter of Seattle’s late Sheriff and widow of a disgraced scientist and inventor. I adored both readers, but I particularly fell for Kate Reading’s voice. She strikes the perfect balance between Briar’s strength and the desperation that she struggles with as she searches for her son and tries to survive the nightmare that Seattle has become in the wake of her husband’s actions.

Priest is an excellent researcher, and this series really showcases her knowledge of 19th century American history. I’m often hesitant to read historical fiction or alternate histories because I find weak research so annoying, but there’s nothing to worry about with Priest’s books. She picks the perfect things to extend the Civil War in her story, and develops a creepy, fascinating plot to explain her changed Seattle.

Moreover, Priest develops excellent characters. Many series fizzle out after the first few books because the author only manages to build a few solid, interesting characters. With this book, Priest introduces a cast of fascinating people, all of whom I want to follow for book after book. The women she writes are particularly interesting, and Zeke reads true as a good but confused teen. Priest set the hook deep with Boneshaker, and I can’t wait to see where she’ll go with the rest of the series.

Wild Decembers

Available from Audible.com

Author: Edna O’Brien

Reader: Suzanne Bertish

Short Review: A beautiful book, poorly served by bad audio quality and frequent mispronunciations.

Long Review: I’m a huge fan of O’Brien’s work, so I was intrigued to find her fantastic novel on Audible’s site. I was warned of the poor audio quality by other reviewers, but I decided to trudge on and see how I reacted to O’Brien’s rich, poetic prose read aloud.

The audiobook was clearly dubbed from CD to a downloadable file. Some remnants of the CDs remain, such as a direction to change CDs. That I could easily ignore. The hiss, flattened tone, and slubs I can’t. I know enough from hanging out in recording studios to know that someone could have corrected most of the audio problems in this version.

Even more irksome are the repeated mispronunciations of Irish words. I know that Irish is a difficult language to read and pronounce. Oh, how I know. But that’s all the more reason that the reader and editor should have done their homework and made sure to get those words right. Cú Chulainn is as vital to Irish myth as is Odysseus to Greek, and his name just isn’t that hard to say correctly. I could say the same thing of dozens of other words butchered in this audiobook.

Apart from the mispronunciations, Bertish is actually a very good reader, but I found them disconcerting and distracting. I also wondered why an English actress was chose to read such an Irish book. None of the characters who she voices would have her posh accent or diction.

The novel itself is masterful. O’Brien is one of the most important contemporary Irish novelists. Her prose is dense and poetic and beautiful. This exquisite book is set in a small rural town in the West, and it follows the progress of star-crossed lovers and neighbors whose generations’ long feud rattles an entire community. It explores women’s rights and station in 1970s Ireland, changing mores, farming, property rights, legal vagaries, and a hundred other things. I will read it again and again, but I’ll stick to the voices in my own mind henceforth.

Available from Audible.com

Author: Sarah Waters

Reader: Simon Vance

Short Review: An intriguing, unusual gothic novel set in post-war England, read beautifully by Simon Vance. It’s intriguing and gorgeously written, and it asks more questions than it answers.

Long Review: With this novel, Waters takes a step away from her usual focus on sexuality and instead plays with questions of psychology, unreliable narrators, class, and mystery. The resulting novel is intriguing, but some readers may be frustrated by the lack of a clear resolution to the story.

The story opens as a country doctor pays a house call to the ailing maid in a crumbling estate house called Hundreds. Dr. Faraday insinuates himself into the daily life of the Ayers family, owners of Hundreds. He befriends eldest daughter Caroline Ayers, endears himself to Mrs. Ayers, and offers experimental treatments to Roderick, injured war veteran and only son. As the book progresses, Faraday’s presence begins to trouble Caroline and Roderick, and the reader begins to question Faraday’s motives.

Simon Vance is an excellent reader. His pacing is wonderful, his diction is clear, and his differentiation between characters is clear and easy to follow. Dr. Faraday is the speaker of the book, and Vance doesn’t make it clear whether or not we should trust the doctor. I love that Vance didn’t steer the listened towards one view or another in this novel. As some of the residents of Hundreds begin to believe the house is haunted, Vance doesn’t push us towards believing in the ghost or deciding that the supposed haunting is really a devious plot or a strange psychosis. He allows the mysterious to remain just that.

Available from Audible.com

Author: Philip Pullman

Reader: Anton Lesser

Warning! If you have not yet read The Shadow in the North, stop reading this review. There’s no way to review this book without giving spoilers for the previous book in the series.

Short Review: The third Sally Lockhart mystery continues Pullman’s engrossing story of a young Victorian woman, expertly read by Anton Lesser. This book delves further into questions of women’s and children’s rights in Victorian Britain and also examines worker’s and immigrant’s rights and antisemitism.

Long Review: This book opens three years after the last closes, and we find that Sally is now a mother to Fred’s child and grieving his death. Jim and Webster are out of the country, and Sally is living at a country house and still running her financial advisory business, now with the aid of a partner and a house staff. Sally is visited by a process server who serves her with divorce papers for a marriage she never engaged in, and as happens in this series, all hell breaks loose. This entire series is full of intrigue and danger, but I found this one the most frightening because the threat is against Sally, but also against her daughter Harriet, and Sally has so few people to help her and so few tools to aid her. It’s truly terrifying.

I found Pullman’s inclusion of the London Jewish community in the story incredibly interesting. I’m no expert on Jewish history, and the book made me want to study more. I love it when that happens. I am more familiar with British women’s history, particularly the history of Suffragists and other early women’s rights activists, so I found that aspect both comfortably familiar and very interesting.

Anton Lesser reads this book as fantastically as he read the two prior books in the series. The sense of desperation and drama tightens as the book progresses. He does a great job with the broadened array of accents and characters in this book. I cannot wait to listen to more books read by Lesser.

This book has been criticized for being overly political and for containing content that is inappropriate for young readers, as were the earlier books in the series. In this novel, I agree that Pullman puts too much emphasis on the political, which slows the book down a bit. I don’t think the book contains anything inappropriate for young adults though, particularly in light of the standard fare for teens available on TV and the web. For me, Pullman’s writing and Lesser’s reading are enough to bolster the weaker parts of the book.

A Sally Lockhart Mystery: The Shadow in the North

Available from Audible.com

Author: Philip Pullman

Reader: Anton Lesser

Short Review: The slightly-less brilliant sequel to The Ruby in the Smoke, read just as brilliantly by Anton Lesser.

Long Review: In the six intervening years between the first book in the series and this sequel, Sally has opened a financial consultancy business and Jim and Frederick have become private investigators. This books opens as a ship vanishes in the Baltic. Soon after, Sally becomes interested in the ship’s destruction when she learns that one of her clients lost a great deal of money she had invested in the shipping company whose ship went down. Sally begins investigating the shipping company in the hopes of returning her client’s money to her, while Jim and Frederick are asked to provide protection to a magician who claims to have knowledge of a murder. All hell breaks loose, of course.

I enjoyed this book, but I also saw some weaknesses in it. There are a couple of plot points that are a bit hard to swallow, but I don’t tend to focus much on that as long as they don’t apply to something I study personally. More importantly, Pullman definitely brings a political mindset to his work, and I can see how someone whose political views differed from the author’s would find that annoying. In the first novel of the series, Pullman criticizes colonialism, the opium wars and trade, and Victorian limits on women’s rights. I doubt many readers see his platforms as controversial. In this book, however, Pullman is examining the excesses of corporations and the growth of the military-industrial complex. I don’t find fault with his criticisms, but I’m much farther to the left than most Americans, so I also don’t see myself as representative on this subject.

The book also begins exploring Victorian sexual mores and it has a number of violent scenes. I’ve read a number of criticisms of this book based on the fact that a “young adult” novel depicts sexual relationships and/or violence. Here, I think the problem is really how publishers classify novels, not the content itself. Sally was 16 in the first book. She is 22 in this sequel, and no longer a minor by today’s definition. But some parents really don’t want their kids reading books that contain sex or violence, so they should how mature their young readers are before handing this audiobook over. I think that audiobooks can make certain things, including sex and violence, seem more intense than they would seem on the printed page. Lesser’s astounding skill as a reader intensifies such material even further, so the violence seems sharper and the sexiness sexier. I was fine with it, but I’m and adult and my Mom hasn’t monitored my choice in books since I was 10.

The Ruby in the Smoke

Available from Audible.com

Author: Philip Pullman
Reader: Anton Lesser

Short Review: A beautifully read story about a resourceful young woman who finds herself orphaned and embroiled in a deadly mystery.

Long Review: This first novel of a series is set in Victorian England, one of my favorite settings, and it follows a head-strong, resourceful young woman, my favorite sort of character. I’m a fan of Pullman’s, and I was bound to like this book. What surprised me though was how much I love the narrator. Lesser does an amazing job as reader. I know I have an obvious predilection for English readers, but Lesser is uncommonly good. He switches from character to character and accent to accent smoothly and believably. He alters his pitch and tone for different characters, but his voices for women aren’t those ludicrous falsettos that would bounce you out of the story. His natural pitch is in the tenor range, so he drops for men’s voices rather than climbing too much for women’s. It may not make much of a difference for some listeners, but for me his technique made the audiobook. In addition to his excellent accent and pitch work, his pacing and acting are wonderful throughout. The book was absolutely engrossing. I didn’t want it to end.

The book opens as Sally Lockhart goes to the office of her recently-deceased father, a shipping agent, to inquire about a note she received from his former business partner. Her brief conversation with an office worker named Jim lays the foundation for their friendship. Her conversation with her father’s Secretary Higgs leaves him dead on the floor. As the story progresses, questions about colonization, the opium trade, women’s rights, family, friendship, and betrayal all loom around Sally. As she delves into the mystery hinted at by the note, Sally reveals herself to be an uncommon young woman, and I loved rooting for her and the allies she draws to her side. This is a great start to an entertaining series.

Author: Diane Setterfield
Readers: Jill Tanner and Bianca Amato

Short Review: A gothic novel of intrigue about family history, fame, women, writing, truth, and secrets. It is read gorgeously by two readers who both have velvety, rich voices and lovely diction.

Long Review: The book opens in the voice of Margaret Lea, a bookseller and amateur biographer, who receives a letter from Vida Winter, a famous (fictional) English author. The pathologically secretive Winter asks Lea to write her biography. Lea has never read Winter’s novels, so she borrows a copy of Winter’s Thirteen Tales of Change and Desperation from her father and discovers that it is one story short of thirteen. Captivated by Winter’s writing, Lea accepts the commission. As the story unfolds, Lea has to dig through fiction upon fiction to reach the truth of Winter’s life story, but also to rehash and reminisce about her own family history. Throughout the novel, the role of speaker switches back and forth between Winter and Lea.

This book is right up my alley. I love the author’s prose, both readers, the setting, the exploration of cultural mores and the roles of women, its bookishness, its pace. I think it’s masterful. I’ve listened to it a couple of times now. The mystery of it isn’t the thing for me anymore, of course. Now I’m looking at the architecture and trimmings, and I still love it.

Short Review: An intricate, beautiful, arguably overlong book beautifully read by a very talented narrator. This isn’t a book for everyone, but it was definitely a book for me.

Long Review: I decided to listen to this audiobook as part of 12 books in 12 months, a reading project floating out there in the blogosphere which encourages people to finally read at least a dozen of the books that have been haunting our shelves for ages. This one seemed apt, because I’d originally picked up a paper copy of Possession at the beginning of my graduate school program. At the time, I was too discouraged by how sad the protagonist’s life is at the outset. As a new grad student contemplating a transfer to a more fitting but probably less marketable program, it scared me away, and fast.

The book is very dense and incredibly detailed, and as I listened, I wavered between loving the layered detail and thinking Byatt should have edited out more and simplified the book. Possession follows a frustrated, underemployed, unpublished English Literature graduate student working on the (fictional) poet Randolph Henry Ash, who discovers some heretofore lost drafts of a letter to a woman. Roland becomes obsessed with tracking down the unnamed addressee and discovering the nature of his relationship to the woman Ash addressed. He meets Maud Bailey, a young professor and expert on the under-appreciated (and also fictional) poet Christabel LaMotte. The two contemporary academics studiously pick through letters and poems and search for lost or unknown correspondence, and end up uncovering wonderful connections between the historical writers and developing an interesting relationship of their own.

What’s fascinating about this book is how layered it is, and how much attention it pays to topics that are very dear to my heart. It delves into Breton and Scandinavian mythology, poetry, feminist theory, embroidery and knitting (though only touches of those, sadly), the nature of love, the nature of poetry, the nature of translation and retellings of myths (my nerdy heart sings!) . . . it’s so rich. One could argue that it’s too rich. Byatt gives us stories within stories within stories within stories. We get Ash and LaMotte’s letters to each other, wherein they discuss mythology and poetry. We get their original works, which are of course actually Byatt’s original works. We get so very much detail about the vagaries of modern academia, and the fights between feminist academics and “traditionalists.” It’s all just so very entwined.

Byatt was so brave to write this meta-romance. I honestly don’t know how she pulled it off. The greatest danger in works like this is that the supposed masterworks the characters are studying need to be excellent enough for the characters’ interest in them to seem just. Byatt does manage that, for the most part. As a writer and quasi-academic, I felt Byatt’s role so keenly. She wrote those pieces in a way that seemed so familiar to me. It’s odd to be a writer who works in a form and genre that is essentially lost to most readers. This book turned out to be such a fantastic outlet for many forms of the author’s creativity. I think I love it. I certainly love many aspects of it.

Virginia Leishman’s narration is one of the strongest aspects of the audiobook, and I think she truly saved the book for me. Whenever the details were too intricate or the infighting between the academics came too close to home, Leishman’s honeyed voice coaxed me back into the story. She truly has a gorgeous voice. Her diction is precise, her shifts from character to character are clear but not distracting, and her changes in accent reveal a great deal of acting and vocal skill. I will absolutely seek out more books she has narrated.