Redshirts: A Novel with Three Codas

Author: John Scalzi

Reader: Wil Wheaton

Short Review: In the 25th century, several new members have just joined the crew of the Intrepid, the flag ship of the Universal Union. They quickly discover that many things which happen on the Intrepid are hard to explain, and they search for a deeper explanation. Fans of Start Trek will see the parody at work immediately, but the book is much more than a one-trick joke. Told with a nod to cheesy sci-fi and a great deal of humor, Redshirts still manages to give a serious commentary on the nature of characters in science fiction, and the nature of human existence in general.

Long Review: John Scalzi has established himself as a writer who can combine imaginative science fiction universes with believable characters, while telling a story with a decent amount of humor and a surprising touch of human sentimentality. Redshirts upholds that reputation in every regard and provides an entertaining visualization of something that has been a long-running joke to science fiction fans.

Roughly the first half of the story concerns the new crew members joining the Intrepid and discovering the “reality” under which the ship has been operating for the past several years. We get to go along on several away missions, each of which is both a nice parody of a typical sci-fi plot line while also introducing original twists and jokes at the situations themselves. Wheaton’s reading greatly enhances these segments because it really conveys the characters’ sense of dismay and ultimately sarcasm at what seem to them like increasingly unlikely situations.

The second half of the book involves the characters’ attempt to resolve their situation, including the discovery that they might not be completely in control of their own lives.

In a manner similar to the film The Cabin in the Woods‘ critique of stereotypes in horror films, by the end Redshirts has managed to be both humorous and entertaining on its own while also holding up many of the weaknesses of episodic sci-fi television and even offering a solution to the writers of such shows. Given the fact that Redshirts is currently in development to become a show of its own, we’ll soon see if this advice is taken to heart.

Bro Code for Parents: What to Expect When You’re Awesome

Authors: Barney Stinson and Matt Kuhn
Reader: Neil Patrick Harris (as Barney Stinson)

Extras: CD Version includes 81 page PDF including worksheets, song lyrics, and full color art.

Short Review:  Quick and amusing. Fans of the TV show How I Met Your Mother will be giggling. Neil Patrick Harris reading as Barney is basically a 2 hour standup riff on the agony and trauma of becoming a parent.

Long Review: I don’t know that I would have enjoyed this at all as a paper book. The joy here comes from the performance of Neil Patrick Harris as his How I Met Your Mother character Barney Stinson. If you don’t know the show, you might still be amused – but you will miss a lot of side jokes along the way.

This is short – 2 discs running about 2 hours – but it made a great soundtrack for a short road trip. It might make a good gift for new parents to be, if they have a sense of humor and know the character already. You MUST of course take it with a very large grain of salt (or a pound or two of salt!). One of my favorite bits is where the audio producer comes on speaks directly to the listener reminding them to not take anything Barney says as serious advice.

Neil Patrick Harris sings. He imitates various baby cries and explains their meaning. He puts on the Barney show from start to finish. Probably funnier for those who have been through parenting (or have watched friends go through it). I found myself wanting to replay particularly funny bits for friends – always a good sign.

Seriously…I’m Kidding

Author: Ellen DeGeneres
Reader: Ellen DeGeneres

Short Review: Light and airy visit with the popular comedienne. Nothing too deep here, but it is fun to listen to Ellen share her upbeat cheerful thoughts and get a taste for her life beyond the public eye. Be prepared for some outright silliness.

Long Review: If you have seen Ellen DeGeneres doing standup or hosting her show, you have a good idea of what you are in for here. She is off the cuff, engaging, goofy and lighthearted. I gave this three and a half stars because it is not something I can imagine returning to – even though it did brighten the few afternoons I listened to it in the car. Clocking in at barely over three hours, this is a short happy ride of an audio adventure.

My favorite parts of this book are the little ‘behind the scenes’ tidbits she shares of her real life in the shadow of public moments. Parts of this are meandering thoughts, parts are closer to memoir. I haven’t read any of her other writing, so I can’t compare it to her other books. She does some fun things with the audio format, changing the text of some parts (to listener rather than reader for example) and even includes a short little chapter for her audiobook listeners.

I think this is one of those books that does better as an audio performance than it would on paper. Ellen clearly approaches this as a performance, and the audio book is all the better for it. If you like Ellen, you will likely enjoy this book. It would make for an easy cheerful afternoon.

Short Review: Fun listen for the whole family. A fantasy classic brought to life by a full cast. Four siblings find a magic token and wacky adventures ensue.

Long Review: The full cast of readers aim for the fun of this story – and they hit the nail on the head. Originally published over fifty years ago and set in the 1930s, this book has withstood the test of time. We listened to this one with our seven year old, and any interruptions in the story were greeted with “can we turn it back on now?”.

It tells the story of three sisters – Jane, Katherine and Martha – and their brother Mark. Mostly left to their own devices for the summer as their widowed mother works to support the family, the daily life of the children is governed by their quest for adventure (and careful plans to avoid the woman meant to mind them). On their walk home from the library, Jane finds what looks like a nickle and claims it for her own. It isn’t until some odd things begin to happen that she realizes that it isn’t a nickle at all – but rather a magical coin that grants wishes. It grants half of any wish made by one who holds it.

The children are not just cardboard cutouts – they are real people with personalities and opinions. The story strikes a nice balance between fantasy adventures and the challenges that the children face in everyday life. We care about the four of them and their ultimate happiness, and that makes the story all the more captivating and enjoyable.

I don’t always love full casts, but this one works. The narrator is perfect and the voices for the four children are distinct and believable. A lovely listen for the family, sure to put a grin on everyone’s face. If you recall this book fondly from your own childhood, don’t be afraid to revisit the story – you won’t be disappointed.

Audio sample available online.

Short review: One of my favorite humorous novels, expertly read by Martin Jarvis. I’m sure I’ll listen to this book over and over again.

Long review: I have a deep and abiding love for this novel. I’ve read it on paper a number of times, and was happy to find an audio version of it. I’m an unabashed fan of both authors, and find works like this one feel particularly suited to audiobook format, since it is such a storyteller’s story. It’s funny and silly, but also examines important questions about belief and ethics. It’s peopled by interesting, charismatic characters who are wonderful to listen to. And, as is vital to a work like this, the authors know the source material they’re playing with.

In short, the angel Aziraphale and the demon Crowley become unlikely friends way back in the way back, and both end up being posted on Earth in the UK in our modern world, expected to do their work to support their sides in the great ongoing war between heaven and hell. The two fall in love with their lives on Earth, and decide that perhaps the apocalypse wouldn’t be all that great for them and maybe should be prevented. They set out to track down the Anti-Christ, an 11 year old boy unaware of his true parentage, and try to prevent his rise. As the story progresses, we learn of Agnes Nutter, Witch and her descendant Anathema Device, witch-hunters, the Four Horsemen, some interesting kids, and a number of other kooks wandering around this Gaiman/Pratchett universe of the book. I won’t say more, because I can’t say any of it as well as they did.

Middlesex: A Novel

Available from Audible.com

Author: Jeffrey Eugenides
Reader: Kristoffer Tabori

Short Review: A novel I absolutely love, full of gorgeous language, beautifully-rendered characters, and entrancing history and myth. Tabori’s reading is downright fantastic, and Eugenides remains one of the most talented writers of his generation. This is one of the best books I’ve ever read or listened to.

Long Review: I read this book on paper several years ago and found it absolutely fascinating. Eugenides treats his subject matter with a great deal of tenderness and honesty, never turning towards the louche or sensational.

For those who’ve missed the hype: the protagonist of Middlesex is a hermaphrodite who is raised as a girl and then chooses to live as a man upon discovering the nature of his unusual condition. That’s not a spoiler–the book opens with this very information. The book is about genetics, the nature of love and family, the natures of human sexuality and gender (which are two different things), Smyrna, Greek-Americans, silk, the foundation of the Nation of Islam, Detroit, racial relations . . . it’s about many fascinating things. It is so engrossing because Caliope/Cal is a true work of art. Eugenides knows how to build a character. He richly deserved that Pulitzer.

Because I loved the paper book so much, I was a bit worried about picking up the audiobook. It drives me batty when someone reads a book I love in the wrong voice for my head. Thankfully, I could listen to Tabori read the phonebook. I wasn’t familiar with him prior to this book, but I look forward to hearing more of his work. Tabori switches comfortably between the voices of many characters, from the basement-deep Jimmy Zizmo to the quavering, fragile Desdemona-as-grandmother. He plays the characters well, but doesn’t push it too far. He’s clearly playing Cal playing the other characters, rather than trying to leave his roll as first-person narrator for those other characters.

In part, the book is so successful because Eugenides is such a careful researcher. Descriptions of Smyrna, silk production, the birth of the US car industry, prohibition, Turkey, genetics, gender reassignment, and many other topics all ring true. Without that underlying research, the book would fall apart. I finished the book with a list of things I wanted to research and a real sense of wonder about Smyrna in particular.

Overall, I think the most surprising thing about Middlesex is its humor. If you describe this book or The Virgin Suicides to someone who isn’t familiar with Eugenides’ work, they’ll assume both stories are weighty, heartbreaking tragedies. In fact, both stories are so engaging because they’re so drenched in wit and humor. Cal, in particular, is charmingly self-effacing and funny. He’s not self-pitying, he doesn’t chastise his relatives for his treatment or his condition. He recognizes the absurdity of humanity itself, as should we all.

Author: Carl Hiaasen

Reader: Stephen Hoye

Short Review: An engaging, funny, environmental crime novel set in the Florida Everglades. Hiaasen is a gem, and Hoye is good but doesn’t shine quite as brightly.

Long Review: As the book opens, Hiaasen has us witness an attempted murder at sea. The beautiful young Joey Perrone is thrown overboard by her husband Chaz. In the water, Joey reminisces over just how useless her murdering husband is as she struggles to stay alive. Retired cop Mick Stranahan rescues Joey the next morning, and hilarity ensues. Hiaasen draws a number of memorable likeable (or dislikeable) characters and sketches some extras to fill out the plot. Chaz is truly distasteful; Joey, Mick, and Karl Rolvaag are truly likable.

I won’t reveal any more about the plot. Hiaasen’s books are as enjoyable as they are because he plays with plot and language so effectively, and I’d hate to diminish any of that fun for a reader. Suffice it to say that Hiaasen keeps it fun and maintains quick pacing throughout the story.

I always hesitate to criticize audiobook narrators–it’s a hard job, and one I don’t have any direct experience with. But I do criticize, because I know that a reader whose work puts me off will put me off of an audiobook entirely. There are readers I cannot bear to listen to and readers I absolutely love, and the differences in their styles aren’t always noticeable to other listeners. In this instance, I found Hoye’s narration too affected at the beginning of the book. Thankfully, his reading grew on me as he relaxed into the role, and by the end, I was comfortable with his style. Skipping back to the beginning to work on this review reawoke my misgivings, though, so it seemed worth mentioning.

Author: Terry Pratchett

Reader: Stephen Briggs

Short Review: This follow-up to Going Postal follows Moist Von Lipwig as he embarks on a new venture: running the Mint at the all-too-pointed behest of Lord Vetinari. Briggs, as usual, reads well and beautifully. Pratchett, as usual, is funny and satirical. What’s not to love?

Long Review Considering when this book was released and when Pratchett must have started work on it, I’m beginning to believe the man is downright prescient. Making Money opens in the midst of a financial crisis in Ankh-Morpork. Lord Vetinari encourages Lipwig to take over Ankh-Morpork’s banks and mint and reverse the longstanding gross mismanagement and corruption. Lipwig tries to refuse, finds he can’t, and digs right in.

The familiar Vetinari, Lipwig, and Dearheart all return, and are joined by a number of other interesting characters like Malvolio Bent, chief cashier and Harry King, garbage kingpin. We learn more about Dearheart’s work in the Golem’s rights movement, Lipwig’s past, and business happenings in Ankh-Morpork.

The plot isn’t quite as organized or fast-paced as Going Postal, which makes me wonder if it was rushed to press, or if Pratchett fell out of love with the story towards the end. Whatever the reason, I’m not all that disappointed. This isn’t Pratchett’s best work, but it’s much more entertaining than most of the jolly satire laying about. I’ll keep listening to his audiobooks and reading his paper books as long as he produces them, and I’d encourage you all to do the same.

Author: Terry Pratchett
Reader: Richard Mitchley

Short Review: A standout story from Pratchett’s Johnny Maxwell trilogy, read with great personality and skill by Richard Mitchley. Our hero Johnny learns that he can see and speak to the Dead in his local cemetery, and winds up facing down corrupt, frightening enemies.

Long Review: The second book in the Johnny Maxwell series follows Johnny as he discovers his ability to see and talk to the dead, and then intercedes on the behalf of the ghosts living in his local cemetery. Johnny stands up to crooked local politicians and thugs, hangs out with his friends, and learns a great deal about local and British history and politics along the way. As I’ve come to expect, Pratchett’s story is funny, sharp, and thoroughly enjoyable. The story is slightly scary in a few parts, but it’s never the Dead who are frightening–Johnny is threatened by normal, flesh and blood evil.

Mitchley is a fantastic reader. He developed many distinct voices for the different characters in the novel, and he maintains clear separation between the characters as he narrates. His pitches, accents, and pacing are enchanting. Mitchley’s work is an absolute treat to hear, and I plan to seek out other audiobooks he has narrated.

Author: Roald Dahl

Reader: Jeremy Irons

Short Review: One of my favorite Dahl books, read enchantingly by the inimitable Jeremy Irons.

Long Review: I love Dahl in general and this story in particular. It’s a wonderful book that manages to reward the main character’s kindness, and bravery, punish his evil aunts, exemplify great comic poetry, and lionize bugs. It’s funny, it’s sweet, it’s filled with black humor . . . it has so many things to recommend it as a book read on paper. Irons’ narration makes it even better. He throws himself so completely into the reading, building excitement, savoring the poetry, playing with accent and pronunciation, and just generally having such a great time that I couldn’t help but have a great time listening to him.

I know the book itself has been challenged a number of times as inappropriate for children, but I think the claims against it are ridiculous. Yes, the two villains are criticized for their body types, but no more so than would a woman in any fashion magazine. Yes, there is profanity in it, as well as smoking and drinking–big deal. The world is full of all three, and kids know it. The book has also been attacked because it encourages children to rebel against adults. I think that is perhaps the truly telling attack: many people are so busily wishing kids would just do what they’re told and forget there are times when children absolutely need to rebel against adults who are wronging them. My heart soars each time I think of James breaking the yoke thrown on him by his evil aunts and finding friends who appreciate his cleverness and bravery.

I love the book. I’ll listen to it again, and I’ll share it with my nieces and nephew. If their parents complain about anything in the book, I’ll have a hard time working up an apology.

Sample audio available.

Author: David Sedaris

Reader: David Sedaris

Short review: One of Sedaris’ best books of essays and stories, read tenderly and hilariously and scathingly by the author. Several pieces are live performances, and many of them are downright great.

Long review: I’m a fan of David Sedaris, and this book has a lot to do with that. This time around, he includes more stories about his family and growing up in North Carolina, including some really poignant pieces about his own weaknesses. “Repeat After Me” is particularly important to me, because Sedaris deals with his guilt and his family’s anguish over being used as fodder for his work. Sedaris is generally funny, but he’s also clearly a man who loves his family and isn’t particularly comfortable with the way he exposes them to scrutiny by writing about them. I love that about him, in part because I’m always terrified that I’ll hurt my family and friends in my own (nowhere near as successful) writing.

“Six to Eight Black Men” is a side-splittingly funny story about Dutch Christmas traditions. Sedaris’ pieces about travel and other cultures always get me, but this one succeeds because of both how very ridiculous the traditions seem to Americans and the reaction of the live audience.

Sedaris’ significantly-younger brother Paul is perhaps the star of this book. He features in two great stories: “Rooster at the Hitchin’ Post,” about Paul’s wedding, and “Baby Einstein,” about Paul’s daughter’s birth. The first is read in front of a live audience, which I particularly appreciate. Within the confines of the stories, the contrasting sexuality and temperaments of the two Sedaris brothers make for a wonderful dichotomy. Paul pokes at David’s homosexuality (referring to him as “Big gay hoss”) and David explains that his would-be macho brother is short and sloppy, with a higher voice than David’s nasal high tenor. The portrayal could seem cruel in another writer’s voice, but David Sedaris skewers himself right along with his little brother to keep things fair. But it all seems loving. Sedaris’ constant turns from the sweetness of love and birth to the family’s odd jokes about kids’ names, sexuality, in-laws, and the like keep the pace moving quickly and allow the shock of his humor to build over and over again.

 Author: David Sedaris

 Reader: David Sedaris

 Short Review: Sedaris’ funny, self-deprecating, heart-breaking stories about moving to France with his partner Hugh, learning French, his family, and his own flaws and experiences. The author reads his own work in his distinctive voice, never flinching as he excoriates himself either in front of a live audience or alone in a studio. Sedaris is an amazing, brave writer and reader. I’ve listened to this particular book three or four times, and I know I’ll keep returning to it.

Long Review: I adore Sedaris’ stories. I learned of his work listening to his pieces on NPR’s This American Life. I’ve read several of his books on paper, but because I fell for this writer reading his own work, I truly prefer his audiobooks to their paper siblings.

There are a few real standouts in the book. My favorites are “Me Talk Pretty One Day,” a description of his traumatic time in a French class taught by a heartless misanthrope; “Jesus Shaves,” a recounting of his French class’ strange discussion about how holidays are celebrated in their home countries; “A Shiner Like a Diamond,” about his sister Amy’s habit of transforming herself into strange characters and how it tortures their father; “The Youth in Asia,” about the Sedaris family’s relationship to their pets; and “I’ll Eat What He’s Wearing,” about his father’s strange views on food and frugality.

Some listeners may be put off by some of Sedaris’ topics. He openly discusses some medical and dental issues that may gross out the delicate. He’s gay and out, and there are some people who still take offense at that for whatever reason, though I doubt they’d settle on Sedaris’ work for entertainment in the first place. And he openly discusses some very self-destructive drug use when he was a student. None of those things throw me, though. It’s his honesty that makes me love Sedaris’ work so much, and I have a deep-seated appreciation for people who describe their faults without hesitation.