Reamde

Available from Audible.com

Author: Neal Stephenson
Reader: Malcolm Hillgartner

Short Review: A fantastic, well-read, fast-paced novel of hackers, criminals, anti-heroes, terrorists, and gamers.

Long Review: I adore Stephenson’s books, so I was at a loss when Anathem fell short for me. When a friend told me the day after Reamde was released that I was in for a treat, I immediately rushed home and bought a copy of the audiobook. And then I rescheduled as much as I could so I could listen to it constantly until the book was over. I binged on this book like a kid with a bag of halloween candy. I loved it like I loved Snow Crash and The Diamond Age: Or, a Young Lady’s Illustrated Primer, and I love them almost as much as I love my dog.

This novel opens at the Forthrast family reunion, where we meet our protagonists. Richard owns a company that created T-Rain, a popular MMORPG, and he offers his adopted niece Zula a job working on their new game. And then all hell breaks loose. The Russian mob, hackers, terrorists, gamers, bikers, spies, special forces . . . . think of something exciting or intriguing, and chances are Stephenson found a way to incorporate it into the story with elegance and insight. Stephenson’s talent lies in his ability to pack a great deal of information into a plot that keeps moving, while also writing interesting, surprising characters. He favors intelligent, layered characters and generally makes sure at least a couple of brilliant, strong women are mainstays in his cast. I walked away from this book wanting to know these people and ask them about their experiences.

Hillgartner does a fantastic job reading the book. His regular speaking voice seems fitting for Richard, and the accents he uses for the other characters ring true. His pacing is great, his diction is clear and undistracting, and he manages to keep this very long book engaging and entertaining throughout. I plan to seek out other books he narrated for future diversions.

Author: Neal Stephenson

Reader: Oliver Wyman, Tavia Gilbert, William Dufris, Neal Stephenson

Short Review: A pretty good but overly long book from one of my favorite authors, read less-than-ideally. This alternate future tale depicts a world where the intellectual elite are forcibly cloistered in pseudo-monastic communities around the world where they’re free to think and learn but denied access to many technologies and to “saecular,” (i.e., non-intellectual) society. The protagonist Fraa Erasmus is layered and likeable, but the book could stand to lose a couple of hundred pages and the narration isn’t as good as it should be. In this instance, I think I would have preferred the paper book to the audio book.

Long Review: This book has gotten a lot of attention on the web. Stephenson is a very important, very good sci-fi writer, and his work is particularly popular among web monkeys like me. He wrote The Diamond Age: Or, a Young Lady’s Illustrated Primer, i.e., oh-my-god-the-best-sci-fi-book-everrrrr. My heart breaks to criticize him. He’s brilliant, and he writes great women and interesting plots, and he clearly knows more about science than I do, so I won’t criticize him there. But, sometimes, he needs to be reigned in. It feels like he just plain wasn’t this time. I don’t shy away from long books. I love long books, as long as their length is merited. This time around, Stephenson came up with a huuuuuge concept and fleshed out every little bit of it. I wish he’d paired things down.

Stephenson has a habit of going on tangents that get a bit out of hand. Some of the tangents, like the those about mythology in Snow Crash and Cryptonomicon, amuse me to no end. In Anathem, some of the tangents were less appealing to me because they tended to be about mathematical theory, but in an alternate reality where each theorem has a different name. It just got to be a bit much. But, I’m a mythology buff and not a math buff, so another reader could have the opposite reaction.

Most of the major characters in this novel are compelling and likable, which is perhaps its greatest strength. Erasmus, Orolo, Ala, Lio, Jad, Sammann, Cord, and Yul are the kind of people who should populate more books. So many sci-fi and fantasy writers can only write plot, and fill their plots with little more than thumbnail sketches of people. Stephenson gives a lot of thought to his characters. He ends up constructing personalities we want to continue to follow, ever after hundreds of pages with them.

My biggest complaint about this book is the narration. William Dufris, who does the lion’s share of the narration, uses some inflections and has reading habits that really, really annoy me. In moments of tension, Dufris uses volume changes and breathiness to impart emotion rather than, you know, emotion. The result is swaths of text that are hard to understand because his attempts to emote just end up being hard to hear. Over and over, I’d be happy with the narration for ages and then I’d smack right into another instance of over-wrought, odd readings. It made my ears itch. And because this is a very long book, each instance bothered me more than the last, and each made me like the audiobook less. In all fairness, the spaces between these instances were generally good. I’d be fine with Dufris for an hour or two, and then I’d want to throttle him, and then my annoyance would pass and I’d forgive Dufris until . . . Remember, this is 32.5 hours of listening. Even if Dufris was annoying for only 5 percent of that time, that’s a lot of time with itchy teeth.

There are other narrators, who largely serve as the voice of a dictionary, introducing new words at chapter openings. Tavia Gilbert read from the dictionary several times, and her voice is wonderful. I will seek her out in other audio books. Neal Stephenson also reads some of the definitions, and I vastly preferred his narration to Dufris’. Whenever Stephenson would read a portion of the book, I would latch onto his voice and wish he’d continue for the rest of the work.

All in all, this is perhaps my least favorite book of Stephenson’s, and I’m not happy with the main reader. It is the longest audio book I’ve listened to, and I knew that the whole time I was listening. I couldn’t forget its length. Far too often, it felt like a lengthy homework assignment rather than an enjoyable passtime.

Anathem