Author: David Sedaris

Reader: David Sedaris

Short review: One of Sedaris’ best books of essays and stories, read tenderly and hilariously and scathingly by the author. Several pieces are live performances, and many of them are downright great.

Long review: I’m a fan of David Sedaris, and this book has a lot to do with that. This time around, he includes more stories about his family and growing up in North Carolina, including some really poignant pieces about his own weaknesses. “Repeat After Me” is particularly important to me, because Sedaris deals with his guilt and his family’s anguish over being used as fodder for his work. Sedaris is generally funny, but he’s also clearly a man who loves his family and isn’t particularly comfortable with the way he exposes them to scrutiny by writing about them. I love that about him, in part because I’m always terrified that I’ll hurt my family and friends in my own (nowhere near as successful) writing.

“Six to Eight Black Men” is a side-splittingly funny story about Dutch Christmas traditions. Sedaris’ pieces about travel and other cultures always get me, but this one succeeds because of both how very ridiculous the traditions seem to Americans and the reaction of the live audience.

Sedaris’ significantly-younger brother Paul is perhaps the star of this book. He features in two great stories: “Rooster at the Hitchin’ Post,” about Paul’s wedding, and “Baby Einstein,” about Paul’s daughter’s birth. The first is read in front of a live audience, which I particularly appreciate. Within the confines of the stories, the contrasting sexuality and temperaments of the two Sedaris brothers make for a wonderful dichotomy. Paul pokes at David’s homosexuality (referring to him as “Big gay hoss”) and David explains that his would-be macho brother is short and sloppy, with a higher voice than David’s nasal high tenor. The portrayal could seem cruel in another writer’s voice, but David Sedaris skewers himself right along with his little brother to keep things fair. But it all seems loving. Sedaris’ constant turns from the sweetness of love and birth to the family’s odd jokes about kids’ names, sexuality, in-laws, and the like keep the pace moving quickly and allow the shock of his humor to build over and over again.

 Author: David Sedaris

 Reader: David Sedaris

 Short Review: Sedaris’ funny, self-deprecating, heart-breaking stories about moving to France with his partner Hugh, learning French, his family, and his own flaws and experiences. The author reads his own work in his distinctive voice, never flinching as he excoriates himself either in front of a live audience or alone in a studio. Sedaris is an amazing, brave writer and reader. I’ve listened to this particular book three or four times, and I know I’ll keep returning to it.

Long Review: I adore Sedaris’ stories. I learned of his work listening to his pieces on NPR’s This American Life. I’ve read several of his books on paper, but because I fell for this writer reading his own work, I truly prefer his audiobooks to their paper siblings.

There are a few real standouts in the book. My favorites are “Me Talk Pretty One Day,” a description of his traumatic time in a French class taught by a heartless misanthrope; “Jesus Shaves,” a recounting of his French class’ strange discussion about how holidays are celebrated in their home countries; “A Shiner Like a Diamond,” about his sister Amy’s habit of transforming herself into strange characters and how it tortures their father; “The Youth in Asia,” about the Sedaris family’s relationship to their pets; and “I’ll Eat What He’s Wearing,” about his father’s strange views on food and frugality.

Some listeners may be put off by some of Sedaris’ topics. He openly discusses some medical and dental issues that may gross out the delicate. He’s gay and out, and there are some people who still take offense at that for whatever reason, though I doubt they’d settle on Sedaris’ work for entertainment in the first place. And he openly discusses some very self-destructive drug use when he was a student. None of those things throw me, though. It’s his honesty that makes me love Sedaris’ work so much, and I have a deep-seated appreciation for people who describe their faults without hesitation.