Author: Roddy Doyle

Reader: Ger Ryan

Short Review: A novel featuring the engaging lead character from Doyle’s The Woman Who Walked Into Doors gloriously read in the perfect Dublin accent by Ger Ryan.

Long Review: Paula Spencer is a recovering alcoholic, recovering longtime victim of domestic violence, widow, house-cleaner, and mother weighed down by a lot of grief. The story could be awash in bathos, but it’s not. It escapes the bathetic because Doyle knows how to write, and Ryan knows how to act, and Paula appears to be winning her own personal war.

I’ve been a fan of Doyle’s for years, in part because he is able to write women far better than a lot of male writers can. I don’t know if we’re really that hard to understand, or if a lot of men who write never take the trouble to learn how to do it. Returning to Paula as his protagonist for a second novel must have been difficult–these can’t have been light books to write. But I love seeing her return, and I particularly love listening to this book because it is so personal and succinct. I lived in Dublin for a while once upon a time, and a North Dublin accent is one of my favorite in the world, in part because it is so often paired with plain, sharp speech in my experience. As an audio book, Paula Spencer is great because the prose is spare yet engaging, the characters are limited, and the plot is easy to follow. All of that combines to allow Ryan to really act as she narrates, and she is an immensely talented actor.

I’m sure some people would be turned off by the weight of the story–addiction and abuse are hard subjects to deal with for so many of us. But I don’t think that should scare anyone off. Yes, Paula Spencer and her kids live a hard life. But it’s a life worth seeing, and hearing. This book displays Paula’s triumphs, however small.

Overall, what I love most about the book is that it is entirely free of hagiography and martyrdom. Doyle doesn’t canonize Paula. Paula doesn’t canonize Paula. And Paula’s kids certainly don’t canonize Paula. Everyone in the book is deeply flawed, but they’re not wallowing in their failings or denying them. They just live, however they can, and try to be as decent as they can. It’s a more accurate portrayal of addiction and abuse than I’ve seen in a long time, and I think that makes it much more worthwhile than most of the pop-psychology influenced stuff on those subjects I’ve read.

The Penelopiad: The Myth of Penelope and Odysseus

Author: Margaret Atwood

Reader: Laural Merlington

Short Review: Margaret Atwood’s retelling of a portion of The Odyssey in Penelope’s voice, her contribution to the Canongate Myth Series, read by Laurel Merlington.

Long Review: I am a mythology nut. A buff. A, well, obsessive kook. I know this. I’m fine with this. And when I learned that I had missed the bus–that this series of books was underway and that it kicked off without me–I felt like I had caught someone kicking my dog.

Atwood, of course, retells Penelope’s story with a wonderful feminist twist. Atwood’s Penelope stands up for the maids, and criticizes her wayward husband and disingenuous suitors. She argues that her supposed beauty has long since faded, and that all of the men in the story are arguing over her for entirely unromantic reasons.

Laurel Merlington’s narration is engaging, sharp, and humorous. Her method of voicing the chorus is a bit shrill at times, but that seems fitting considering the messages they carry.

This was a good listen–I burned through it in an afternoon of puttering around my studio, and immediately missed my Ancient Greek companions. I look forward to listening to more audio books from the Canongate Myth Series.

Housekeeping: A Novel

Author: Marilynne Robinson

Read by: Becket Royce

Short Review: Robinson’s prize-winning, gorgeous, intricate novel about women and the fragility of family, and of sanity, and the need to create and maintain a sense of home, no matter what happens. It is read well, if not perfectly, by Beckett Royce.

Long Review: I love this novel. I’m not the only one–it was nominated for a Pulitzer and won the PEN/Hemingway Award when it was published in 1980. Robinson is immensely talented, and the characters she creates are intricate and engaging and often surprising. My heart ached for Ruthie and Lucille and Sylvie, and their shattered family in their cruel town. Robinson writes with an intricacy and specificity that I find breath-taking. I love the book on paper, so was interested to hear it as an audio book.

Beckett Royce has a good voice, and is a clear reader. But she had a vocal habit that grated on me. There is a way some people pause when they speak that they probably intend as a display of earnestness, but to my ear sounds false. Royce used it a lot as she read. And since she is essentially playing Ruthie as the reader for this book, it bothered me because Ruthie is reticent and not one to play at earnestness. Maybe I just love the book too much to hear it in someone else’s voice, rather than in the voice I imagine for Ruthie.

That said, I think books like this one–books that follow a single, engaging narrator, are some of the best candidates to become audio books. Maybe I’m,the only one who will find fault with Royce’s performance. I’d certainly be interested to hear other people’s reaction to her reading.