Brokeback Mountain

Author: Annie Proulx

Reader: Campbell Scott

Short Review: A ground-breaking story about the nature of love and sexuality, beautifully-read by one of my favorite audio book narrators.

Long Review: I’m guessing the plot of this story is no surprise to most. The film was a major success, of course, and the center of a great deal of controversy. But I hate that the jokes and the brouhaha tends to over-shadow the story itself.

Because the story is beautiful, and heartbreaking, and feels so very true. Annie Proulx describes landscapes and the particular culture of a time and a place like no one else. She also captures the emotions of reticent characters well, which is particularly important for these men in this period and place.

Annie Proulx’s short story garnered an O. Henry Award, helped Proulx make the Pulitzer short-list, and helped The New Yorker win the National Magazine Award for Fiction. Recording it as an audio book must have been an intimidating task. Thankfully, Campbell Scott was brought on board. The narrator of this audio book needs to be able to voice two conflicted, macho guys trying to fight stereotypes and realities of homosexuality in a sere landscape. Scott’s baritone is just right for the job, particularly when matched with his restraint, and his tendency to flatten his voice in moments of tension. His is the voice I will hear whenever I reread the story on paper.

This is one of the best audio books I’ve listened to, and I know I’ll listen to it again.

Brokeback Mountain is also available through both the Simply Audiobooks Rental Program and the Simply Audiobooks Dowload Club.

Lolita

Author: Vladimir Nabokov
Read by: Jeremy Irons

Short Review: Nabokov’s beautifully-written, disturbing story of a pedophile’s love for a young girl, read by the inimitable Jeremy Irons.

Long Review: Lolita is, of course, a classic. But an uncomfortable one. Humbert Humbert is quite the anti-hero: charming, brilliant, self-effacing and at the same time a disgusting, manipulative, immoral creep. The novel is a farce which uses Poe’s Annabel Lee as a jumping-off point to explain a terribly destructive fetish disguised with a pretty poetic bow.

The book relies on H.H.’s command of language and allusion to make the disgusting palpable. Casting Irons as the reader, and thus in the role he played in the film directed by Adrian Lyne, was a master stroke. H.H. narrates the novel, of course, and not just anyone can read that part convincingly. Jeremy Irons does. His voice is wonderful, his diction is precise, and he oozes the old-world breeding and education the role requires.

Oryx and Crake
Author: Margaret Atwood
Read by: Campbell Scott
Short Review: A dystopian “speculative fiction” (Atwood’s term) novel tracking a young man’s experiences in pre- and post-apocalyptic world, complete with a ridiculously sheltered genius caste, chaotic plebe lands, corporations run amuck, transgenic species, genetic engineering and cloning to the nth degree, a new, broken Eden, with a side of crushing love-triangle thrown in for good measure.

Long Review: Atwood is a genius. You knew that already, right? Because she is.
Lanea and Atwood sitting in a tree, R. E. A. D. I. N. G. . . .

Campbell Scott reads the work beautifully. I could listen to his voice for hours, and I did. Having listened to the novel, I’ll have a hard time if anyone other than Scott is cast as the protagonist in a film of the novel one day. Scott’s voice is so appropriate for this novel in particular because he can flatten the affect of his voice so convincingly. As narrator, he is presenting the description of the world’s decline and collapse, narrating the story leading up to the big bad end, and also speaking for Will, the heart-broken kid who grows into a heart-broken adult, who winds up a heart-broken nanny to some very odd, er, humanoids.

The novel itself is beautifully written, engaging, terrifying, sad . . . I didn’t read this book on paper before listening to the audiobook, and I worried that I might miss something. I didn’t. Scott’s narration was entrancing for me, and I ended up listening to most of the audio book a second time because I just didn’t want to put it down.