Author: Neal Stephenson

 Reader: Oliver Wyman, Tavia Gilbert, William Dufris, Neal Stephenson

 Short Review: A pretty good but overly long book from one of my favorite authors, read less-than-ideally. This alternate future tale depicts a world where the intellectual elite are forcibly cloistered in pseudo-monastic communities around the world where they’re free to think and learn but denied access to many technologies and to “saecular,” (i.e., non-intellectual) society. The protagonist Fraa Erasmus is layered and likeable, but the book could stand to lose a couple of hundred pages and the narration isn’t as good as it should be. In this instance, I think I would have preferred the paper book to the audio book.

Long Review: This book has gotten a lot of attention on the web. Stephenson is a very important, very good sci-fi writer, and his work is particularly popular among web monkeys like me. He wrote The Diamond Age: Or, a Young Lady’s Illustrated Primer, i.e., oh-my-god-the-best-sci-fi-book-everrrrr. My heart breaks to criticize him. He’s brilliant, and he writes great women and interesting plots, and he clearly knows more about science than I do, so I won’t criticize him there. But, sometimes, he needs to be reigned in. It feels like he just plain wasn’t this time. I don’t shy away from long books. I love long books, as long as their length is merited. This time around, Stephenson came up with a huuuuuge concept and fleshed out every little bit of it. I wish he’d paired things down.

Stephenson has a habit of going on tangents that get a bit out of hand. Some of the tangents, like the those about mythology in Snow Crash and Cryptonomicon, amuse me to no end. In Anathem, some of the tangents were less appealing to me because they tended to be about mathematical theory, but in an alternate reality where each theorem has a different name. It just got to be a bit much. But, I’m a mythology buff and not a math buff, so another reader could have the opposite reaction.

Most of the major characters in this novel are compelling and likable, which is perhaps its greatest strength. Erasmus, Orolo, Ala, Lio, Jad, Sammann, Cord, and Yul are the kind of people who should populate more books. So many sci-fi and fantasy writers can only write plot, and fill their plots with little more than thumbnail sketches of people. Stephenson gives a lot of thought to his characters. He ends up constructing personalities we want to continue to follow, ever after hundreds of pages with them.

My biggest complaint about this book is the narration. William Dufris, who does the lion’s share of the narration, uses some inflections and has reading habits that really, really annoy me. In moments of tension, Dufris uses volume changes and breathiness to impart emotion rather than, you know, emotion. The result is swaths of text that are hard to understand because his attempts to emote just end up being hard to hear. Over and over, I’d be happy with the narration for ages and then I’d smack right into another instance of over-wrought, odd readings. It made my ears itch. And because this is a very long book, each instance bothered me more than the last, and each made me like the audiobook less. In all fairness, the spaces between these instances were generally good. I’d be fine with Dufris for an hour or two, and then I’d want to throttle him, and then my annoyance would pass and I’d forgive Dufris until . . . Remember, this is 32.5 hours of listening. Even if Dufris was annoying for only 5 percent of that time, that’s a lot of time with itchy teeth.

There are other narrators, who largely serve as the voice of a dictionary, introducing new words at chapter openings. Tavia Gilbert read from the dictionary several times, and her voice is wonderful. I will seek her out in other audio books. Neal Stephenson also reads some of the definitions, and I vastly preferred his narration to Dufris’. Whenever Stephenson would read a portion of the book, I would latch onto his voice and wish he’d continue for the rest of the work.

All in all, this is perhaps my least favorite book of Stephenson’s, and I’m not happy with the main reader. It is the longest audio book I’ve listened to, and I knew that the whole time I was listening. I couldn’t forget its length. Far too often, it felt like a lengthy homework assignment rather than an enjoyable passtime.

Author: William Gibson
Reader: Robertson Dean

Short Review: A good listen. Likable characters and diverse perspectives carry us through a story set in the here. The author who coined the term cyberspace delivers a carefully wrought tale of high tech intrigue. Robertson Dean reads well – not a performance I would gush about, but it gets the job done without any mannerisms that I found annoying. He faded into the background in the telling – and in my book that is just fine.

Long Review: Gibson’s latest installment is set in the here and now. Not quite a sequel to Pattern Recognition, Spook Country revisits the present day world of Hubertus Bigend – but in this book Bigend is just one of many players trying to keep their fingers in the pie. In this story we find Bigend attempting to use his vast wealth and resources to see into the center of a series of hidden activities that he can sense the shape of – if not the meaning.

I struggled with how to categorize this book. Science-Fiction? No. Fiction? Yes. Mystery? Basically. I finally settled on High Tech Intrigue. I enjoyed the assortment of tangled paths that Gibson used to lead me to the intersection of many lives and the culmination of many plots. I love puzzles and it is that part of me that especially gloried in this tale. It took a long time for me to figure out exactly who I wanted to root for – just as is often the case in life little is purely black and white.

I enjoyed learning about Locative Art and spies and why rock bands fade away and more. Gibson has mixed interesting tasty tidbits, tangible city landscapes and eloquent, textured descriptions with clues and intrigue. I like his style and have for a long time. I wonder at the new readers who will discover his work now that the present has caught up with his visions of the future such that he can still write the stories in his mind without them being tucked away in the Sci-Fi section.

The reading was all it needed to be – clear and evenly paced. It didn’t take me long to pick out the voices that Dean wanted me to recognize. I suspect that if I ever read this one on paper I will hear Dean’s voice in my mind as I do so.