His Dark Materials, Book Three: The Amber Spyglass

Author: Philip Pullman

Reader: Philip Pullman and a full cast

Short Review: The third and final book in a wonderful trilogy, well-read by the author and a full cast.

Long Review: If you didn’t enjoy the first and second book in the trilogy, you’re not likely to listen to this one. I, of course, love the series. This book is probably my least favorite of the three, because I don’t want the story to end, but also because I think it has a few problematic aspects.

Firstly–I just don’t buy the Mulefa’s development. Yeah yeah, it’s a fantasy, and we’re supposed to open our minds to different scientific possibilities. But I’ve never seen evolution work that way, so it rankles.
Second–I don’t think Lyra’s parents can magically become loving.
Thirdly–The trip to, well, the sacrifice/betrayal Will and Lyra have to make is crushing, of course, but also lasts too long. It’s hard to discuss without ruining several plot points, so I’ll leave it at that.

Apart from that, I love the book. I think Mary Malone is a fantastic character. Every child deserves such a surrogate, or auntie, or Mom. Maybe two would be better. I love hearing the development of Will and Lyra’s relationship. I love their selflessness. I wish all of the best for them, throughout. Just listen, and try not to be as bratty as I am as you do, and you’ll love it.

His Dark Materials, Book Two: The Subtle Knife

Author: Philip Pullman

Reader: Philip Pullman and a full cast

Short Review: Like The Golden Compass, this is a wonderful adventure told by a surprisingly-talented author-narrator and a full cast. The book is a bit less fantastic, in a sense, because some of it is set in our world, but no less enjoyable.

Long Review: As with the first book, I absolutely loved Pullman’s narration. I like to think that all talented writers are also talented story tellers, in the most literal sense. Sadly, it’s not so. Pullman clearly knows how to read aloud, though, and his pacing, diction, and performance are wonderful.

This story, because it is partially set in our world, has less of the comfort of the first book. Lyra has to travel without the help of Iorek and the Gyptians, she has lost any sort of parental support, and she knows how terrible the world(s) can be. All of the novels in the trilogy are dark, of course, but this book focuses on Lyra’s growing independence and responsibility. It also introduces Will, Lyra’s partner for the rest of the series. Where Lyra is boisterous and impetuous, Will is reserved and calculating. He is the first of the children we encounter in the story with a strong sense of adult responsibility, and that automatically changes the tone of the novel.

I’m reticent to say anything more, really, because I view the three books as part of a whole, and because I’d hate to ruin the story for anyone who hasn’t read or heard it. Suffice it to say I love these books and think you should listen to them. ‘Nuff said.

His Dark Materials, Book I: The Golden Compass

Author: Philip Pullman
Reader: Philip Pullman and a full cast

Short Review: A fantastic tale of adventure, rebellion, childhood, growth, and bears told by a surprisingly-talented author-narrator and a full cast.

Long Review: I’m a big fan of this book and the others in the trilogy, so I was excited to listen to it. I was pleasantly surprised to learn that Pullman is a great reader–I think his narration in the audio book compares to the reading of greats like Derek Jacobi and Campbell Scott. I also liked the majority of the other voices in the full cast, only hearing a false note now and again. If I had to complain about anything, it’s that, for whatever reason, the default for female voices in the audiobook is “breathy.” My brain hears “breathy” as “weak” most of the time. I wanted the breathy women reading in this book to be more forceful throughout.

I think adolescent fiction and fantasy are both particularly well-suited to the audio book format. Stories like this beg to be told aloud, because the characters are so engaging and the plot flows from beginning to end, rather than backtracking or spending a lot of time on introspection or exposition, which is generally harder to pay close attention to while listening.

I guess this is my favorite book in the trilogy, because it’s the opening, and because the concepts of daemons and panzerbjorn are both so intriguing to me. That said, the three belong together. Each has its failings. And, of course, its strident critics and supporters. I’d encourage folks unfamiliar with the story to ignore all the hype (if it’s not too late) and just listen as a child would. This is an audiobook, and a series, I will listen to again.

Short Review: An assortment of magical trips into assorted Gaiman worlds in the form of short stories and poem, all narrated by the gentle cadences of the authors voice.

Long Review: There are some authors who are not meant to read their own work. Neil Gaiman is definitively NOT one of those authors. I don’t recall which audio book of his included his description of the first time he did a reading of his own work - but it described how it was this amazing revelation for him. It just had never occurred that he might both be good at reading aloud and enjoy it.

Fragile Things is a delightful collection of short stories and poems. It also includes a lengthy introduction that explains the background to each story. I am one of those people who loves knowing the history of every story (or song or poem) that enters my life. I like to learn about the creative process. If you are like me in this, then you will love the introduction. If you want to skip straight to the stories - you can always just skip the intro.

As I find is often the case with short story collections, some of the stories spoke to me more than others. I think my favorite is ‘How to Talk to Girls At Parties’ which was nominated for the 2007 Hugo Award. Lucky for you the audio of this single story is posted on Mr. Gaiman’s website. If you have half hour to spare I recommend you listen to it right now!

Overall I really enjoyed this collection. My only slight frustration was hearing the introductions to ALL the stories at the start with no easy way to ‘flip back’ to scan them before I listened to each new story or poem as I might with the paper copy. But this is a very minor issue in comparison with the grand assortment of fanciful, otherworldly and (in some cases) disconcerting stories and poems provided for your listening pleasure.

Into Thin Air

Author: Jon Krakauer

Read by: Jon Krakauer

Short Review: An author-narrated memoir of one of the most tragic seasons on Mt. Everest.

Long Review: This book was highly recommended to me by a family member, and I was very curious to literally hear the tale in the author’s own voice. Anyone familiar with the story of that tragic season on Everest is familiar with the controversy surrounding the actions of the guide companies and some of the climbers, and the flak that Krakauer himself has received. I’m certainly no expert on climbing, Everest, the 1996 tragedies, or on the validity of Krakauer’s version of events, but the book itself was riveting and seemed believable throughout.

I know some audio book fans aren’t particularly fond of author-read material, but I think it’s absolutely vital in this instance. Krakauer’s book is intensely personal in parts, and reliant on journalistic integrity and accuracy in others. Throughout, his grasp of the facts is vital–speaking for his own work as a journalist is one of those acts of bravery any non-fiction writer should face. But the personal material is even more important to transmit in his own voice. In the book, Krakauer recounts his friendship with several of the people on the 1996 climb, his own role and experiences on the climb, his work for Outside magazine, his own survivor’s guilt–and none of it would have rung as true in another person’s voice.

That said, he’s not a professional actor or speaker. Krakauer doesn’t have a Voice voice. But he does a great job all the same. His pacing is good, he’s careful in pronouncing names and words that come from other languages, and he is meticulous when he reads the really important bits–facts about elevation sickness, oxygen tanks, times and messages, historical material, and the like. At no point did I feel like his voice or pacing was keeping me from taking in the material.

Overall, I came away from the book pretty impressed by Krakauer’s honesty and his reporting skills. He’s critical of several of the guides and climbers who were on that mountain with him, but he’s intensely critical of himself as well. I’m glad to have heard his story, and have no ambition whatsoever to court that level of danger on a mountain anytime soon.

Author: Louise Erdrich

Read by: Louise Erdrich

Short review: A beautifully written historical novel set in Germany and North Dakota between the two World Wars.

Long review: I’ve been an unabashed fan of Erdrich’s since I read her phenomenal first novel Love Medicine: A Novel. Most of her books are set in and among an Ojibwe tribe in North Dakota. This time around, however, she follows the life of Fidelis Waldvogel, a German butcher, singer, and veteran who immigrates to the US to build a life for his family. Delphine Watzka, daughter of the town drunk, becomes enmeshed in the Waldvogel family while trying to sort out her complex relationships with her sodden father and her perplexing Ojibwe partner Cyprian Lazarre. The book explores questions of love, sexual identity, parenthood, duty, loyalty, genealogy, war, friendship, forgiveness . . . all concepts that resurface in Erdrich’s books.

I was particularly intrigued to hear Erdrich read her own work, since I’ve never had the chance to go to one of her live readings. She has a gorgeous sense of language, and her work as a poet has definitely spilled into her novels. I found her narration clear and evocative, but not overly emotional or dramatic. There were a few pauses here and there that were a tad jarring, but overall I was surprised by how well she read. I will gladly listen to more self-narrator works by Erdrich.